Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA66449



The Desford Colliery Caterpillar Band, James Watson (conductor)
Recording details: August 1990
Lutterworth Grammar School, Leicestershire, United Kingdom
Produced by Gary Cole
Engineered by Tony Faulkner
Release date: May 1991
Total duration: 12 minutes 16 seconds


'Marvellously played … superlative … performances of a calibre I do not recall ever hearing before. Strongly to be recommended to serious listeners of any persuasion' (Gramophone)

'Essential listening for all enthusiasts of this marvellous composer' (CDReview)
This is Simpson’s second work for brass band. Like Energy is owes its existence to a commission from the National Brass Band Championships of Britain, and like Vortex it is dedicated to a fellow composer, this time Edmund Rubbra.

Robert Simpson said that Volcano can be heard as an evocation of a volcanic eruption, as the expression of a volcanic temperament (thereby prefiguring The Four Temperaments written just four years later), or purely as a piece of music. Unlike Vortex, the tempo constantly fluctuates in a manner that mey recall the later symphonies of Havergal Brian, and an overall pattern emerges, contrasting slow and fast tempi. The uneasy tension that hovers around the opening Calmissimo might convey to the listener the gentle smouldering of a volcano, soon to be shattered by the ferocity of the first spasmodic eruptions. In between the violent Allegros are placed two Meno mosso sections. Here serene, softly sustained melodies on solo cornets and tenor horn drift past ‘as from a clear sky’, against rich, long-held chords. When this section occurs a third and final time, Lento just as a fleeting reminiscence, the music quietly disappears into space; the volcano is calm once more.

from notes by Matthew Taylor © 1991

Waiting for content to load...
Waiting for content to load...