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Track(s) taken from CDA66400

O nata lux de lumine

composer
5vv; SATTB; Cantiones quae ab argumento sacrae vocantur (1575)
author of text
Hymn at Lauds on the Feast of the Transfiguration

Winchester Cathedral Choir, David Hill (conductor)
Recording details: July 1989
Winchester Cathedral, United Kingdom
Produced by Mark Brown
Engineered by Antony Howell
Release date: February 1990
Total duration: 1 minutes 58 seconds

Cover artwork: The Nativity (detail). Gérard David (active 1484-1523)
 

Other recordings available for download

The Tallis Scholars, Peter Phillips (conductor)
The Hilliard Ensemble
Westminster Cathedral Choir, James O'Donnell (conductor)
The Cambridge Singers, John Rutter (conductor)
Clare College Choir Cambridge, Timothy Brown (conductor)
The Monteverdi Choir, Sir John Eliot Gardiner (conductor)
Chapelle du Roi, Alistair Dixon (conductor)
Armonico Consort, Christopher Monks (conductor)

Reviews

‘Never before has Spem in alium, Tallis's great 40-part motet, so closely resembled The Last Judgement as it does in this vast and awesome performance’ (Gramophone)

‘A thrilling large scale performance’ (CDReview)

‘A magnificent sound’ (Daily Mail)
Tallis published this miniature masterpiece in a collection meant to show off English music to foreigners. Its rich sonority, metrical ambiguity and odd shifts of harmony are indeed all quintessentially English. The words are drawn from Roman Catholic service-books as used in Italy and France, and celebrate Christ the Redeemer.

from notes by John Milsom © 2013

La brève hymne O nata lux est d’une trompeuse simplicité, façonnée par les années d’expérience de Tallis avec le style non ornementé de la Réforme. L’élégante mélodie sur mètre ternaire s’évanouit à la toute fin sur une mordante dissonance.

extrait des notes rédigées par Kerry McCarthy © 2014
Français: Michel Roubinet

Die kurze Hymne O nata lux ist von trügerischer Einfachheit, veredelt durch Tallis’ Jahre der Erfahrung mit dem klaren Stil der Reformation. Die elegante Melodie im Dreiertakt löst sich ganz am Schluss in eine scharfe Dissonanz auf.

aus dem Begleittext von Kerry McCarthy © 2014
Deutsch: Gudrun Meier

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