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Track(s) taken from CDA67374

Echo

First line:
Come to me in the silence of the night
composer
Lord Henry Richard Charles Somerset (1849-1932)
author of text
Christina Rossetti (1830-1894)

Sir Thomas Allen (baritone), Malcolm Martineau (piano)
Recording details: January 2002
Champs Hill, West Sussex, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: June 2003
Total duration: 3 minutes 29 seconds

Cover artwork: At the Piano. Robert Beyschlag (1838-1903)
Anthony Mitchell Paintings, Nottingham / Fine Art Photographic Library, London
 

Reviews

‘Other singers over recent decades have given the songs an airing from time to time, but Thomas Allen is the very man to do it’ (Gramophone)

‘With piano-playing by that most sensitive of accompanists, Malcolm Martineau, Sir Thomas Allen brings high art to these songs … with an affectionate regard to mood and feeling, and with a touching lyrical sincerity’ (The Daily Telegraph)

‘A fitting tribute to this repertory that one of the finest operatic voices of our day has chosen to record it’ (Classic FM Magazine)

‘I must confess that, what with the beauty of Thomas Allen’s voice and the lovely accompaniment of Malcolm Martineau at the piano, a tear welled in my eye more than once. Another distinguished release from Hyperion’ (Liverpool Daily Post)

‘Hyperion here brings us Sir Thomas Allen caressing 29 well-loved parlour songs with his warm, expressive baritone … Malcolm Martineau provides his usual sympathetic and well-etched pianistic support’ (Birmingham Post)

‘Wwhat quality of nostalgia, and what depth of conviction … superb performances … Martineau’s carefully moulded accompaniments enhance a glorious enterprise’ (Yorkshire Post)
This composition by Lord Henry Somerset is a setting of a celebrated poem by Christina Rossetti, one of the most important poets in Victorian England. She was the youngest member of a remarkable family of poets, artists and critics, the most famous being the Pre-Raphaelite painter and poet Dante Gabriel Rossetti.

from notes by Andrew Lamb © 2003

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