Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA66618

In exitu Israel

author of text
Psalm 114 (113): 1-3

St Paul's Cathedral Choir, John Scott (conductor), Andrew Lucas (organ)
Recording details: July 1991
St Paul's Cathedral, London, United Kingdom
Produced by Arthur Johnson
Engineered by Antony Howell
Release date: February 1993
Total duration: 6 minutes 18 seconds


'A rich feast indeed' (Gramophone)

'This is a lovely programme' (Organists' Review)
Samuel Wesley (1766-1837), the father of Samuel Sebastian Wesley (1810-1876), was a child prodigy. Dr William Boyce visited the Wesleys in 1774 and exclaimed of the young Samuel. ‘Sir, I hear you have an English Mozart in your house’. Shortly after this encounter, Boyce was astonished to be presented with a complete oratorio, Ruth, composed by the eight-year-old boy.

Rumours were rife in the mid-1780s that Samuel had become a Roman Catholic. Later in his life Samuel denied this, but attracted to it he most certainly was. He set much latin to music in the years following the 1780s, although it has been suggested that this was more out of love of the liturgy and the music than of Catholicism. His latin music is some of his best, and he continued to write for the Catholic liturgy for over forty years.

In exitu Israel is written in eight parts, and scored for double choir. Many criticisms have been levelled at the work form the point of view of the anthem’s musical form, although the musical content is quite thrilling. One writer has commented that the discords with which the work ends would have made poor Attwood shudder!

from notes by William McVicker © 1992

Waiting for content to load...
Waiting for content to load...