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Track(s) taken from SIGCD479

Colin's description of Vauxhall 'Green-Wood Hall'

First line:
O Mary, soft in Feature
composer
published in Calliope or English Harmony, 1739
author of text

Nicky Spence (tenor), London Early Opera, Bridget Cunningham (conductor)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: January 2016
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Christopher Alder & Mark Brown
Engineered by Neil Hutchinson & Mike Hatch
Release date: September 2017
Total duration: 8 minutes 9 seconds

Cover artwork: A general prospect of Vauxhall Gardens. J S Muller
Engraving, after a drawing by Samuel Wale (1751) / From the collection of David E Coke
 

Reviews

'Bona fide Vauxhall music by Boyce (the aptly named 'Spring Gardens') and Lampe ('The Farewel to Vaux Hall') are both sung ardently by Greg Tassell … Claire Bessent’s lovely 'There sweetest flowers of mingled hue' is amply worth the price of admission' (Gramophone)
Colin’s description of Vauxhall or Green-Wood Hall is by the English composer and organist Thomas Gladwin (1710-1799) and was published in Calliope or English Harmony in 1739. It is the archetypal Vauxhall song which had become a genre in itself as many songs had been written since the early 1730s enumerating and praising all the attractions at the gardens. Although this was little more than a tiny media puff for the gardens, the colourful text, again by John Lockman enthuses over the delights there, ‘dear Vauxhall no Paradise is sweeter not that they Eden call’ and skillfully mentions the Princess of Wales ‘the Lady of the May’ to attract an admiring audience.

One verse admires the spectacular Roubiliac statue of Handel which graced an area near where the orchestra played:

As still amaz’d I’m straying
O’er this inchanted Grove
I spy a Harper playing
All in his proud Alcove
I doff my Hat desireing
He’d tune up Buxom Joan
But what was I admiring
Odzooks a man of Stone.

Thomas Gladwin was an organist and composer at Vauxhall from 1738 until 1744. James Worgan (1715-1753) was also an organist at Vauxhall during the 1730s and his brother Dr John Worgan (1724-1790) took over as organist in 1751, as well as being director of the music for a year and an ‘in house’ composer at Vauxhall.

from notes by Bridget Cunningham © 2017

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