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Track(s) taken from CDA67858

See, see, the Word is incarnate

composer
author of text

Westminster Abbey Choir, James O'Donnell (conductor)
Recording details: March 2010
All Hallows, Gospel Oak, London, United Kingdom
Produced by Adrian Peacock
Engineered by David Hinitt
Release date: February 2011
Total duration: 6 minutes 15 seconds

Cover artwork: Engraving of James I.
Westminster Abbey Library / Copyright © Dean and Chapter of Westminster
 

Other recordings available for download

Magdalena Consort, Fretwork, Charles Daniels (tenor), Samuel Boden (tenor), Catherine King (soprano), Peter Harvey (bass), Simon Gallear (bass)
The Girls and Men of Canterbury Cathedral Choir, David Newsholme (conductor), Adrian Bawtree (organ) February 2018 Release
The longest, most powerful, ‘See, see, the Word is incarnate’, is another expanded to include divisi effects and a more triumphal Amen. Strangely, even this has no known connection to the Chapel of the day; but signs from the score are that here too revision may not have been quite complete. Its text, furthermore, fits no Anglican festival unless maybe Ascension: it traces Christ’s entire life up to then, Messiah-fashion. Its prose (assigned to Godfrey Goodman, soon to become one of the most latitudinarian of bishops), almost devoid of narrative, creates an oddly static series of icons or tableaux. Even so, the organic quality infused through the notes lifts that visual, verbless aspect, merging with it to a stained-glass brilliance. Paradoxically, it still streams on as irresistibly as anything else in the literature. Had Gibbons lived longer, English Baroque might have evolved to very different effect.

from notes by David Pinto © 2017

Other albums featuring this work

Gibbons: In chains of gold
Studio Master: SIGCD511Download only NEWStudio Master FLAC & ALAC downloads available
Great Cathedral Anthems
SIGCD514Download only 26 January 2018 Release
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