Hyperion Records

Variationen über das Motiv von Bach, S180
composer
1862; basso continuo des erster Satzes seiner Kantate 'Weinen, Klagen, Sorgen, Zagen' und des Crucifixus der h-Moll Messe
composer

Recordings
'Liszt: The complete music for solo piano, Vol. 3 – Konzertsolo & Odes funèbres' (CDA66302)
Liszt: The complete music for solo piano, Vol. 3 – Konzertsolo & Odes funèbres
Buy by post £10.50 CDA66302 
'Liszt: Complete Piano Music' (CDS44501/98)
Liszt: Complete Piano Music
Buy by post £200.00 CDS44501/98  99CDs Boxed set + book (at a special price)  
Details
Track 3 on CDA66302 [13'08]
Track 3 on CDS44501/98 CD16 [13'08] 99CDs Boxed set + book (at a special price)

Variationen über das Motiv von Bach, S180
For some reason the New Liszt Edition is issuing the two ‘Weinen, Klagen’ pieces amongst the volumes of transcriptions and fantasies on other composers’ materials, but that has no more sense than to regard, say, Brahms’s ‘Handel’ Variations in a similar way, for these are certainly original compositions in every sense of the word. Both works bear a dedication to Anton Rubinstein, and both are based on the same wonderful theme. The Prelude of 1859 is a dignified and restrained piece with just one dramatic outburst, all within the framework of a passacaglia which unfolds 25 variations on the motif. The Variations are not simply an expansion of the earlier piece, although there are a few fragments in common. The work dates from 1862 and was motivated by the death of Liszt’s elder daughter, Blandine. A fierce introduction leads to the theme and 43 variations, followed by a chromatic development in the shape of a recitative, and then a group of freer, faster variations, culminating with the choral ‘Was Gott tut, das ist wohlgetan’ (which also ends Bach’s cantata) and a brief coda in which the two themes are juxtaposed before F minor finally gives way to an unequivocally optimistic F major.

from notes by Leslie Howard © 1989

Track-specific metadata
Click track numbers opposite to select

Details for CDA66302 track 3
Artists
ISRC
GB-AJY-89-30203
Duration
13'08
Recording date
10 February 1988
Recording venue
All Saints, Petersham, United Kingdom
Recording producer
Martin Compton
Recording engineer
Tryggvi Tryggvason
Hyperion usage
  1. Liszt: Complete Piano Music (CDS44501/98)
    Disc 16 Track 3
    Release date: February 2011
    99CDs Boxed set + book (at a special price)
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