Movement 1: Larghetto affettuoso
Movement 2: Tempo giusto
Movement 3: Sogni dell autore: Andante – Allegro assai – Trillo del Diavolo – Andante – Allegro assai – Adagio
One night I dreamt that I had made a bargain with the Devil for my soul. Everything went at my command—my novel servant anticipated every one of my wishes. Then the idea struck me to hand him my fiddle and to see what he could do with it. But how great was my astonishment when I heard him play with consummate skill a sonata of such exquisite beauty as surpassed the boldest flight of my imagination. I felt enraptured, transported, enchanted; my breath was taken away; and I awoke. Seizing my violin I tried to retain the sounds that I had heard. But it was in vain. The piece I then composed, the Devil’s Sonata, although the best I ever wrote, how far below the one I heard in my dream!
Lalande added that Tartini composed the work in 1713, which is impossibly early given the style of the music. It probably dates from the late 1740s or later. The trill appears in the driving Allegro assai that repeatedly interrupts a gentle Andante—representing, presumably, the sleeping composer. The work is played here from Cartier’s text; it differs in countless ways from the nineteenth-century edition that is still in widespread use.
from notes by Peter Holman © 1992