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Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS

composer
author of text

 
The Quadruplum is an unusual one; it has a strict syllable count (all the lines having five syllables) and a rigorous ABAB rhyme-scheme throughout. This is matched in the setting. The minor triad which opens the piece—and the major triad which provides its penultimate sonority—shows the kind of strategic dissonance (for so these combinations of intervals were classified) that is to be found in the thirteenth-century motet. On the whole, however, this is a remarkably restrained and mellifluous piece and one that reveals the beauty of sound which thirteenth-century composers often achieved.

from notes by Christopher Page © 1990

Recordings

The Marriage of Heaven and Hell
CDH55273Helios (Hyperion's budget label)
The Medieval Romantics
CDH55293Helios (Hyperion's budget label)

Details

Track 4 on CDH55273 [1'15] Helios (Hyperion's budget label)
Track 8 on CDH55293 [3'34] Helios (Hyperion's budget label)

Track-specific metadata for CDH55293 track 8

Artists
ISRC
GB-AJY-91-46308
Duration
3'34
Recording date
14 May 1991
Recording venue
Church of the Hospital of St Cross, Winchester, United Kingdom
Recording producer
Martin Compton
Recording engineer
Tony Faulkner
Hyperion usage
  1. The Medieval Romantics (CDA66463)
    Disc 1 Track 8
    Release date: October 1991
    Deletion date: October 2004
    Superseded by CDH55293
  2. The Medieval Romantics (CDH55293)
    Disc 1 Track 8
    Release date: February 2008
    Helios (Hyperion's budget label)
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