Je ne chant pas/Talens m'est pris/APTATUR/OMNES

composer
author of text

 
This four-part piece reminds us that there is no such thing as a typical motet. The contrast between the chattering Triplum and the slower-moving Motetus is a text-book feature of the motet genre, as are the overlapping phrases, yet here they are combined with two Tenors! This piece also shows how the speed of the Tenor relative to the upper parts affects the impetus and indeed the entire character of a motet, for here the Tenors move rapidly, constantly repeating the same six measures of music, giving the piece a considerable thrust. The four-part motets of the thirteenth century have often been regarded as imperfect, over-ambitious works; this recording, which features a high proportion of such pieces, is an attempt to rehabilitate the four-part motet.

from notes by Christopher Page © 1990

Recordings

The Marriage of Heaven and Hell
CDH55273Helios (Hyperion's budget label)

Details

Track 1 on CDH55273 [2'19] Helios (Hyperion's budget label)

Track-specific metadata for CDH55273 track 1

Artists
ISRC
GB-AJY-90-42301
Duration
2'19
Recording date
23 March 1990
Recording venue
Church of the Hospital of St Cross, Winchester, United Kingdom
Recording producer
Martin Compton
Recording engineer
Tony Faulkner
Hyperion usage
  1. The Marriage of Heaven and Hell (CDA66423)
    Disc 1 Track 1
    Release date: September 1990
    Deletion date: January 2006
    Superseded by CDH55273
  2. The Marriage of Heaven and Hell (CDH55273)
    Disc 1 Track 1
    Release date: February 2007
    Helios (Hyperion's budget label)