Hyperion Records

Libera nos, salva nos I
composer
author of text
6th Psalm Antiphon at Matins on Trinity Sunday

Recordings
'Mary and Elizabeth at Westminster Abbey' (CDA67704)
Mary and Elizabeth at Westminster Abbey
Buy by post £10.50 CDA67704 
'Sheppard: Church Music, Vol. 1' (CDA66259)
Sheppard: Church Music, Vol. 1
Buy by post £13.99 (ARCHIVE SERVICE) CDA66259  Archive Service; also available on CDS44401/10  
'The English Anthem, Vol. 8' (CDA67483)
The English Anthem, Vol. 8
Buy by post £5.25 CDA67483  Please, someone, buy me …  
'The Sixteen & The Golden Age of Polyphony' (CDS44401/10)
The Sixteen & The Golden Age of Polyphony
Buy by post £38.50 CDS44401/10  10CDs Boxed set (at a special price)  
'The Essential Hyperion, Vol. 1' (HYP12)
The Essential Hyperion, Vol. 1
HYP12  Super-budget price sampler — Deleted  
Details
Track 11 on CDA66259 [2'56] Archive Service; also available on CDS44401/10
Track 5 on CDA67483 [2'43] Please, someone, buy me
Track 11 on CDS44401/10 CD8 [2'56] 10CDs Boxed set (at a special price)
Track 7 on HYP12 [2'56] Super-budget price sampler Deleted

Libera nos, salva nos I
Sheppard’s first setting of Libera nos, salva nos takes as its text the sixth antiphon at Matins on Trinity Sunday. Its liturgical position was thus about half way through the chief morning Office, as celebrated in its festal form with three nocturns. The text, a petition to the Holy Trinity for freedom, redemption and absolution, is sufficiently general to allow the possibility that Sheppard’s setting was used at other Offices, in the place where votive antiphons had once been sung (and where in Anglican Offices the choir sings the anthem); it is likely that the piece was composed during Sheppard’s time at Magdalen College, Oxford, among whose statutes is the ordinance that this very text be recited twice a day. Unusually, and unlike Sheppard’s Office hymns and responds, the chant cantus firmus is placed in the lowest voice. The rate of harmonic change is consequently very slow; this, and the mode’s tonal stability, accounts for the serenity with which the music unfolds.

from notes by Robert Quinney 2008

Track-specific metadata
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Details for CDA67704 track 4
Artists
ISRC
GB-AJY-08-70404
Duration
3'19
Recording date
20 June 2008
Recording venue
All Hallows, Gospel Oak, London, United Kingdom
Recording producer
Jeremy Summerly
Recording engineer
Simon Eadon
Hyperion usage
  1. Mary and Elizabeth at Westminster Abbey (CDA67704)
    Disc 1 Track 4
    Release date: October 2008
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