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Hyperion Records

Libera nos, salva nos I
composer
author of text
6th Psalm Antiphon at Matins on Trinity Sunday

Recordings
Cover of 'Mary & Elizabeth at Westminster Abbey' (CDA67704)
Cover of 'Sheppard: Church Music, Vol. 1' (CDA66259)
Sheppard: Church Music, Vol. 1
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Buy by post £13.99 (ARCHIVE SERVICE)
CDA66259  Archive Service; also available on CDS44401/10   Download currently discounted
Cover of 'The English Anthem, Vol. 8' (CDA67483)
Cover of 'The Sixteen & The Golden Age of Polyphony' (CDS44401/10)
Cover of 'The Essential Hyperion' (HYP12)
The Essential Hyperion
This album is not yet available for download HYP12  Super-budget price sampler — Deleted  
Details
Track 11 on CDA66259 [2'56] Archive Service; also available on CDS44401/10 Copyright holder as reported by MCPS: David Wulstan
Track 5 on CDA67483 [2'43] Copyright holder as reported by MCPS: Public Domain
Track 4 on CDA67704 [3'19] Copyright holder as reported by MCPS: Public Domain
Track 11 on CDS44401/10 CD8 [2'56] 10CDs Boxed set (at a special price) Copyright holder as reported by MCPS: David Wulstan
Track 7 on HYP12 [2'56] Super-budget price sampler — Deleted Copyright holder as reported by MCPS: David Wulstan

Libera nos, salva nos I
Sheppard’s first setting of Libera nos, salva nos takes as its text the sixth antiphon at Matins on Trinity Sunday. Its liturgical position was thus about half way through the chief morning Office, as celebrated in its festal form with three nocturns. The text, a petition to the Holy Trinity for freedom, redemption and absolution, is sufficiently general to allow the possibility that Sheppard’s setting was used at other Offices, in the place where votive antiphons had once been sung (and where in Anglican Offices the choir sings the anthem); it is likely that the piece was composed during Sheppard’s time at Magdalen College, Oxford, among whose statutes is the ordinance that this very text be recited twice a day. Unusually, and unlike Sheppard’s Office hymns and responds, the chant cantus firmus is placed in the lowest voice. The rate of harmonic change is consequently very slow; this, and the mode’s tonal stability, accounts for the serenity with which the music unfolds.

from notes by Robert Quinney © 2008

Track-specific metadata
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Details for CDA67483 track 5
Artists
ISRC
GB-AJY-05-48305
Duration
2'43
Recording date
16 March 2004
Recording venue
St Paul's Cathedral, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Julian Millard
Hyperion usage
  1. The English Anthem, Vol. 8 (CDA67483)
    Disc 1 Track 5
    Release date: January 2005
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