Omnes gentes, plaudite manibus

composer
author of text
Psalm 46 (47)

 
Like Sheppard, Christopher Tye’s career straddles the reigns of Henry, Edward, and Mary; and he survived until the early 1570s, spending most of the final, Elizabethan portion of his life as a priest in the Diocese of Ely. His psalm motet Omnes gentes, plaudite manibus may be either Henrician or Marian, though its concision and tightly wound rhythmic drive, and the fact that it remains in duple metre throughout, perhaps suggest the latter reign. The voices—especially the treble and contratenor—maintain a high tessitura throughout; this produces a brilliant sound entirely appropriate to the text, which was associated with the Feast of the Ascension in both Catholic and reformed liturgies.

from notes by Robert Quinney 2008

Recordings

Exultate Deo
CDA66850
Mary and Elizabeth at Westminster Abbey
CDA67704
The Music of Westminster Cathedral
This album is not yet available for downloadWCC100Super-budget price sampler
Tye: Missa Euge bone & other sacred music
CDH55079Helios (Hyperion's budget label)

Details

Track 11 on CDA66850 [4'36]
Track 1 on CDA67704 [4'15]
Track 12 on CDH55079 [4'14] Helios (Hyperion's budget label)
Track 3 on WCC100 [4'36] Super-budget price sampler

Track-specific metadata for CDA66850 track 11

Artists
ISRC
GB-AJY-95-85011
Duration
4'36
Recording date
13 June 1995
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Recording engineer
Hyperion usage
  1. Exultate Deo (CDA66850)
    Disc 1 Track 11
    Release date: February 1996