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Magnificat a 5
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One of the most difficult tasks facing the Tallis scholar is any attempt to impose chronological order on the composer’s output. The five-part Latin Magnificat and Nunc dimittis are especially problematic. They survive in a unique Elizabethan source but their style and form point to an earlier date of composition. Tallis adopts the usual practice of alternating chant with polyphony in the pre-Reformation style but there is no use of cantus firmus nor faburden. Furthermore the old-style melismas are not in evidence and there is a much greater use of syllabic writing, nor are there any sections for soloists or reduced forces as one might expect. Here also is a rather less euphonious Tallis at work than can be seen in the pieces more securely attributed to the reigns of Mary and Elizabeth. So the evidence seems to point to a compositional date late in Henry VIII’s reign.

from notes by Andrew Carwood © 2005

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Details for CDA67548 track 4
Artists
ISRC
GB-AJY-05-54804
Duration
10'28
Recording date
14 January 2005
Recording venue
Fitzalan Chapel, Arundel Castle, United Kingdom
Recording producer
Jonathan Freeman-Attwood
Recording engineer
Martin Haskell & Iestyn Rees
Hyperion usage
  1. Tallis: Gaude gloriosa & other sacred music (CDA67548)
    Disc 1 Track 4
    Release date: July 2005
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