‘On a noisy polemic’ is enhanced by a choral accompaniment to the folksong-like melody. Vocal glissandi and shouted speech wittily emphasize the word ‘bitch’, and more humour occurs at the words ‘O Death, it’s my opinion’ where, to the marking Andante religioso, the phrase is set to a mocking plagal cadence. In ‘On the death of Robert Ruisseaux’ Maw pairs the voices (latterly as a stark two-part canon) to create a sombre elegy.
With its swift pace and gradual crescendo, ‘On a henpecked country squire’ gives a vivid portrayal of the husband literally nagged to death. Altos and sopranos chase each other in imitation, then basses and tenors follow suit. The ‘lady famed for her caprice’ finds her ephemeral character evoked through the word-painting of the word ‘butterfly’; and equally her want of ‘goodness’ as the second syllable of the word lands on a biting dissonance.
Clearly Burns did not like the eponymous ‘Andrew Turner’! The epigram recounts that the Devil planned to ‘mak’ a swine’, but changing his mind he ‘shaped it something like a man / And ca’d it Andrew Turner’. Maw tells the tale to a rollicking tune with tattoo-like accompaniment.
from notes by Andrew Burn © 2007
|Maw: One foot in Eden still, I stand & other choral works|
'Nicholas Maw comes out of that excellent group of British composers born in the 30s. Congratulations to Hyperion for producing this CD, which is not ...
'Schola Cantorum, Oxford's premier mixed choir, connects deeply with Maw's Romanticism, and gives a rich, sound-driven account … more Maw, say I' ...» More