Tsontakis: Man of Sorrows; Berg: Piano Sonata; Webern: Variations
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The young Berg, still in his early twenties, presented the movement to Schoenberg as part of a longer projected composition, but was encouraged by his teacher to let the piece stand on its own. Beginning and ending in enigmatic quiet, the brief sonata manages to surmount turmoil and crisis in little more than ten minutes. As in Tsontakis’s Man of Sorrows, we return to the start but find that it is not the same.
from notes by Grant Hiroshima © 2007