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Four Motets

composer
1921
author of text

 
Copland’s Four Motets for a cappella chorus were completed in 1921 during his student days in Paris. They were first heard publicly in performances in 1924 in Fountainebleau, conducted by Melville Smith and Nadia Boulanger. Copland reluctantly agreed to their publication some fifty years later, deeming them to be of curiosity value. ‘Perhaps people want to know what I was doing as a student. The style is not really yet mine,’ wrote the self-critical composer. Yet the beautifully French-flavoured ‘Help us, O Lord’, the rousing primitivism of ‘Thou, O Jehova, abideth forever’, the sumptuous harmonies of ‘Have mercy on us, O my Lord’ and the free-flowing jubilation of ‘Sing ye praises to our king’, are undoubted foretastes of the fast developing musical genius.

from notes by Ken Walton 2000

Recordings

Copland & Barber: In the beginning & other choral works
CKD117Download only
Bernstein: Chichester Psalms; Copland: In the beginning; Barber: Agnus Dei
CDA66219

Details

No 1: Help us, O Lord
Track 6 on CDA66219 [2'42]
Track 10 on CKD117 [2'27] Download only
No 2: Thou, O Jehova, abideth forever
Track 11 on CKD117 [2'17] Download only
No 3: Have mercy on us, O my Lord
Track 7 on CDA66219 [3'44]
Track 12 on CKD117 [3'39] Download only
No 4: Sing ye praises to our king
Track 8 on CDA66219 [2'10]
Track 13 on CKD117 [2'14] Download only

Track-specific metadata for CDA66219 track 8

Sing ye praises to our king
Artists
ISRC
GB-AJY-87-21908
Duration
2'10
Recording date
20 May 1986
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
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