Each of the motets, settings of adapted Old Testament texts, maintains a discrete personality—from the gently rocking serenity of Help us, O Lord to the rousing jubilation of Sing ye praises to our king. An overall technical assurance is enhanced by moments of arresting ingenuity—such as the imitative entries at the mid-point of Thou, O Jehovah, abideth forever—and the delicate, two-part ostinato that establishes itself in Have mercy on us, O my Lord.
from notes by Meurig Bowen © 2015
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