Hyperion Records

Five Bagatelles, Op 23

'English Music for Clarinet' (CDD22027)
English Music for Clarinet
Buy by post £10.50 CDD22027  2CDs Dyad (2 for the price of 1)  
No 1: Prelude
Track 8 on CDD22027 CD1 [3'23] 2CDs Dyad (2 for the price of 1)
No 2: Romance
Track 9 on CDD22027 CD1 [3'40] 2CDs Dyad (2 for the price of 1)
No 3: Carol
Track 10 on CDD22027 CD1 [1'52] 2CDs Dyad (2 for the price of 1)
No 4: Forlana
Track 11 on CDD22027 CD1 [2'36] 2CDs Dyad (2 for the price of 1)
No 5: Fughetta
Track 12 on CDD22027 CD1 [2'16] 2CDs Dyad (2 for the price of 1)

Five Bagatelles, Op 23
Gerald Finzi (born London, 1901; died Oxford, 1956) studied privately with Ernest Bristow Farrar, Edward Bairstow and R O Morris. He is perhaps best known for his vocal works, which include a large-scale setting of Wordsworth’s Intimations of Immortality, the exquisite Dies Natalis for voice and strings to words by Thomas Traherne, and over forty songs on poems by Thomas Hardy, which whom he had a special affinity. Apart from the Clarinet Concerto and Bagatelles, some of his more important instrumental works are the orchestral New Year Music, The Fall of the Leaf, and the Grand Fantasia and Toccata with solo piano.

As so often with Finzi, the Five Bagatelles were written over a considerable number of years. They were completed during World War II, in free moments snatched from his work at the Ministry of War Transport, and first performed by Pauline Juler and Howard Ferguson at one of the wartime National Gallery concerts. The opening Prelude and final Fughetta are brilliant, extrovert pieces in similar vein to the corresponding movements of the Concerto. The Forlana is in a gently lilting 6/8 rhythm, interrupted only once by a more agitated moment. (The unusual title was used also by Bach in his Orchestral Suite in C, and by Ravel in the suite Le Tombeau de Couperin. It is defined in the dictionaries as ‘an Italian dance popular with Venetian gondoliers’.) The two remaining movements, the Romance and the Carol, are probably the earliest, and certainly the most typical of Finzi’s favourite mood of quiet contem­plation. The reflective beginning and end of the Romance are contrasted with a warmly lyrical central section; while the Carol reminds one of his lovely Christmas Scene In Terra Pax, in which the Gospel account of the Angel appearing to the Shepherds is framed by Robert Bridges’ poem describing a frosty Christmas Eve.

from notes by Howard Ferguson and Robert Matthew-Walker 1997

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Details for CDD22027 disc 1 track 10
Recording date
1 February 1989
Recording venue
St George's, Brandon Hill, United Kingdom
Recording producer
Alun Francis
Recording engineer
Bob Auger & Stuart Smith
Hyperion usage
  1. Music for clarinet and piano (CDA66014)
    Disc 1 Track 10
    Release date: January 1989
    Deletion date: September 1997
    Superseded by CDD22027
  2. English Music for Clarinet (CDD22027)
    Disc 1 Track 10
    Release date: September 1997
    2CDs Dyad (2 for the price of 1)
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