Hyperion Records

Death on the hills, Op 72
Death on the Hills sets a translation of some grim words by the Russian poet Maykov, concerning Death stalking a village looking for victims. In the second half of the song, the three upper parts sing ‘with a thin and somewhat veiled tone’ some repetitive lines representing the villagers. In the midst of this enter the basses, representing Death. They have not sung for seventeen bars, and their entry, although only marked mezzo forte, can be chilling if sung with the correct intensity. Although by no means the longest of Elgar’s part-songs, he told one of his friends that it was ‘one of the biggest things I have done’.

from notes by Geoffrey Hodgkins 1998

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Details for CDA67019 track 9
Artists
ISRC
GB-AJY-98-01909
Duration
3'32
Recording date
16 April 1998
Recording venue
St Alban's Church, Holborn, London, United Kingdom
Recording producer
Andrew Keener
Recording engineer
Antony Howell & Julian Millard
Hyperion usage
  1. Elgar: Choral Songs (CDA67019)
    Disc 1 Track 9
    Release date: November 1998
    Deletion date: November 2006
    Archive Service
Licensing
1.Audio tour Millais: Van Gogh Museum, Amsterdam, 2008
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