Hyperion Records

Death on the hills, Op 72
Death on the Hills sets a translation of some grim words by the Russian poet Maykov, concerning Death stalking a village looking for victims. In the second half of the song, the three upper parts sing ‘with a thin and somewhat veiled tone’ some repetitive lines representing the villagers. In the midst of this enter the basses, representing Death. They have not sung for seventeen bars, and their entry, although only marked mezzo forte, can be chilling if sung with the correct intensity. Although by no means the longest of Elgar’s part-songs, he told one of his friends that it was ‘one of the biggest things I have done’.

from notes by Geoffrey Hodgkins 1998

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Details for CDA66271/2 disc 1 track 11
Artists
ISRC
GB-AJY-87-27111
Duration
4'20
Recording date
26 March 1987
Recording venue
The Chapter House, Worcester Cathedral, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. Elgar: The complete choral songs (CDA66271/2)
    Disc 1 Track 11
    Release date: December 1987
    2CDs Archive Service
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