Hyperion Records

Esquisses, Op 41
composer
second and third items published in 1946 as Nos 1 & 2; original No 1 rediscovered in 1975

Recordings
'Dupré: Organ Music' (CDD22059)
Dupré: Organ Music
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Details
No 1: C major
Track 2 on CDD22059 CD1 [4'31] 2CDs Dyad (2 for the price of 1)
No 2 'No 1': E minor
Track 3 on CDD22059 CD1 [2'59] 2CDs Dyad (2 for the price of 1)
No 3 'No 2': B flat minor
Track 4 on CDD22059 CD1 [4'10] 2CDs Dyad (2 for the price of 1)

Esquisses, Op 41
EnglishFrançaisDeutsch
Dupré’s Trois Esquisses, Op 41, were composed in 1945, but only the second and third were published in the following year as ‘Deux Esquisses’. The bound manuscript containing all three was discovered in 1975, in which year the first was published separately. All three were inscribed to Madame Stéphane Bornemann, the wife of Dupré’s publisher. In an introduction to the first Esquisse, Rolande Falcinelli, Dupré’s closest pupil, wrote: ‘Reading, then a closer analysis of the first ‘Sketch’ confirms that the three pieces were conceived as a homogeneous though free group, balancing and complementing each other. Certainly each panel of this triptych has its own entity, yet, since the ‘repeated notes’ sketch (published as No 1) and ‘octaves’ (No 2) are rarely separated, it would be desirable to add to them this ‘sister’, unknown for twenty-seven years … indeed, the tormented and troubled character of the newcomer provides a contrast to the crystalline traceries of what used to be the ‘first’; whilst the colossal breadth of the final piece concludes in the fireworks of its diabolical toccata a true suite of transcendental studies.’

The true first Esquisse unfolds with chromatic unease in a nominal C major, the key in which, eventually, it quietly ends. The registration is for various groupings of foundational stops in the outer andante portions of this tripartite piece, with the tutti storming away in the central agitato section. The true second Esquisse, published as No 1, is a vivace exercise in staccato repeated notes. Here Dupré’s chromatic E minor, informed by conjunct sequences of sixths, fifths and thirds, is enhanced by the delicacy of the specified registration, particularly the combination of Bourdon and Tierce. The true third Esquisse, published as No 2, and marked deciso, is a daunting and relentless octave study in B flat minor for the tutti.

from notes by Felix Aprahamian © 1998

Track-specific metadata
Click track numbers opposite to select

Details for CDD22059 disc 1 track 2
No 1: C major
Artists
ISRC
GB-AJY-86-20502
Duration
4'31
Recording date
11 March 1986
Recording venue
St Paul's Cathedral, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. Dupré: Organ Music, Vol. 1 (CDA66205)
    Disc 1 Track 2
    Release date: April 1987
    Deletion date: September 2005
    Superseded by CDD22059
  2. Dupré: Organ Music (CDD22059)
    Disc 1 Track 2
    Release date: September 2006
    2CDs Dyad (2 for the price of 1)
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