Hyperion Records

Infirmata vulnerata
composer
October 1702
author of text

Recordings
'Scarlatti & Hasse: Salve regina, Cantatas & Motets' (CDH55354)
Scarlatti & Hasse: Salve regina, Cantatas & Motets
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Details
Movement 1. Aria: Infirmata vulnerata puro deficit amore
Movement 2. Recitativo: O care, o dulcis amor
Movement 3. Aria: Vulnera percute, transfige cor
Movement 4. Aria: Cur, quaeso, crudelis es factus?
Movement 5. Recitativo: Vicisti, amor, et cor meum
Movement 6. Aria: Semper gratus desiderabilis

Infirmata vulnerata
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Infirmata vulnerata centres around a text on the common theme of unrequited love, but on this occasion optimism is allowed to creep in as the cantata progresses. Scarlatti’s manuscript dates the composition to October 1702 and, accompanied by two violins, takes a mournful angle at the opening. The first aria is set over a walking bass, above which the violins alternate lachrymose suspensions with more conversational dialogue, whilst the voice rarely rises above despair. ‘Vulnera percute’ is as rich in its harmony as its sentiments are tormented, and leads without an intervening recitative into a curious ground bass, seven bars in length. The last aria is upbeat, with shorter phrases passed between singer and instrumentalists: our lover sees hope triumphing.

from notes by Robert King © 1996

Track-specific metadata
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Details for CDH55354 track 22
Movement 6, Aria: Semper gratus desiderabilis
Artists
ISRC
GB-AJY-96-87522
Duration
1'57
Recording date
9 February 1996
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Ben Turner
Recording engineer
Philip Hobbs
Hyperion usage
  1. Scarlatti & Hasse: Salve regina, Cantatas & Motets (CDA66875)
    Disc 1 Track 22
    Release date: September 1996
    Deletion date: April 2008
    Superseded by CDH55354
  2. Scarlatti & Hasse: Salve regina, Cantatas & Motets (CDH55354)
    Disc 1 Track 22
    Release date: January 2011
    Helios (Hyperion's budget label)
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