Hyperion Records

Scherzo No 3 in C sharp minor, Op 39
composer
1839, begun in Majorca, completed in Nohant; dedicated to Adolf Gutmann

Recordings
'Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 4 – 1949' (APR5624)
Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 4 – 1949
'Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 5 – Rachmaninov's Piano Concerto No 2 & appendices' (APR5625)
Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 5 – Rachmaninov's Piano Concerto No 2 & appendices
'Simon Barere – The complete HMV recordings 1934–1936' (APR6002)
Simon Barere – The complete HMV recordings 1934–1936
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 APR6002  2CDs for the price of 1  
'Chopin: Four Ballades & Four Scherzos' (CDA67456)
Chopin: Four Ballades & Four Scherzos
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 44.1 kHz £9.00ALAC 24-bit 44.1 kHz £9.00 CDA67456  Studio Master FLAC & ALAC downloads available
'Chopin: The Complete Works' (CDS44351/66)
Chopin: The Complete Works
MP3 £45.00FLAC £45.00ALAC £45.00Buy by post £50.00 CDS44351/66  16CDs Boxed set (at a special price)  
'Chopin: The Four Scherzi' (CDH55181)
Chopin: The Four Scherzi
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55181  Helios (Hyperion's budget label)  
'Jorge Bolet – His earliest recordings' (APR6009)
Jorge Bolet – His earliest recordings
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 APR6009  2CDs for the price of 1  
Details
Track 6 on CDA67456 [7'04]
Track 3 on CDS44351/66 CD5 [9'14] 16CDs Boxed set (at a special price)
Track 4 on CDH55181 [7'41] Helios (Hyperion's budget label)
Track 28 on APR5624 [7'12]
Track 7 on APR6002 CD1 [6'55] 2CDs for the price of 1
Track 5 on APR5625 [6'40]
Track 7 on APR6009 CD2 [7'20] 2CDs for the price of 1

Scherzo No 3 in C sharp minor, Op 39
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Dissonance is again at the heart of the Third Scherzo, and even today the opening octaves can seem harshly novel and uncompromising. The principle theme was inspired by Adolf Gutmann, Chopin’s pupil who could – with a taste of karate – apparently punch a hole in a table. The contrasting chorale with its cascading reply may well echo a liturgical chant heard at the monastery in Valdemosa (where Chopin was a guest in 1842) and its final transformation and expansion in the coda is among Chopin’s most daring masterstrokes.

from notes by Bryce Morrison © 2004

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