Hyperion Records

Vultum tuum deprecabuntur
composer
cycle of motets to run concurrently with the celebration of Mass; composed for Milan Cathedral probably between 1459 and 1472; 4vv; this reconstruction switches the probable order of the last two items and interpolates the Ave Maria and Tu lumen movements

Recordings
'Josquin: Missa Pange lingua & other works' (CDH55374)
Josquin: Missa Pange lingua & other works
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55374  Helios (Hyperion's budget label)  
'Willaert: Missa Mente tota & Motets' (CDA67749)
Willaert: Missa Mente tota & Motets
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 44.1 kHz £9.00ALAC 24-bit 44.1 kHz £9.00 CDA67749  Studio Master FLAC & ALAC downloads available
Details
Part 1. Introit substitute: Vultum tuum deprecabuntur
Part 2. Gloria substitute: Sancta Dei genitrix
Part 3a. Credo substitute: Intemerata virgo
Part 3b. Offertory substitute: Ave Maria
Part 4a. Sanctus substitute: O Maria
Part 4b. Elevation motet: Tu lumen
Part 5. After Elevation: Mente tota
Part 6. Agnus Dei substitute: Christe, Fili Dei
Part 7. Deo gratias substitute: Ora pro nobis

Vultum tuum deprecabuntur
EnglishFrançaisDeutsch
Josquin cannot have been much above the age of thirty when he wrote the motet cycle Vultum tuum deprecabuntur, and it may be a symptom of his still modest status as a singer at Milan and his relative inexperience as a composer that the work conforms so closely to established models. Like similar cycles written for Milan Cathedral by Compère, Gafurius, Gaspar van Weerbeke and others, the Vultum tuum deprecabuntur motets were intended to accompany the celebration of Mass, not as interludes but rather as a simultaneous sacred ‘concert’: in some of the Milanese cycles the various motets have actually been labelled ‘loco [= in place of the] Introitus’, ‘loco Gloria’, ‘loco Credo’, and so on. Strictly speaking, such substitution did not interfere with the liturgical act: provided that the celebrant spoke the correct liturgical texts, the choir was free to perform whatever it liked. In practice, few churches outside Milan adopted this curious practice. Although parts of Vultum tuum deprecabuntur found their way into the repertoires of other singers, there is no reason to believe that they were used in the Milanese fashion; most of the motets in the cycle address the Blessed Virgin Mary, and they could easily have been put to other devotional purposes. So scattered have the constituent parts of the cycle now become that their intended order is in some doubt. This performance follows the reconstruction by Patrick Macey, including the ‘little’ Ave Maria as the Offertory substitute and Tu lumen as the Elevation motet—neither being previously associated with the cycle.

from notes by John Milsom © 1992

Track-specific metadata
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Details for CDH55374 track 11
Part 1, Introit substitute: Vultum tuum deprecabuntur
Artists
ISRC
GB-AJY-92-61411
Duration
2'27
Recording date
13 March 1992
Recording venue
Westminster Cathedral, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. Josquin: Missa Pange lingua (CDA66614)
    Disc 1 Track 11
    Release date: October 1992
    Deletion date: January 2009
    Superseded by CDH55374
  2. Josquin: Missa Pange lingua & other works (CDH55374)
    Disc 1 Track 11
    Release date: August 2011
    Helios (Hyperion's budget label)
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