Hyperion Records

Missa Pange lingua
composer
? after 1514; based on the Corpus Christi plainchant Hymn; 4vv
author of text
Ordinary of the Mass

Recordings
'Josquin: Missa Pange lingua & other works' (CDH55374)
Josquin: Missa Pange lingua & other works
Buy by post £5.50 CDH55374  Helios (Hyperion's budget label)  
'Josquin: Missa Pange lingua & Missa La sol fa re mi' (CDGIM009)
Josquin: Missa Pange lingua & Missa La sol fa re mi
Buy by post £11.75 CDGIM009 
'Josquin: The Tallis Scholars sing Josquin' (CDGIM206)
Josquin: The Tallis Scholars sing Josquin
Buy by post £11.75 CDGIM206  2CDs for the price of 1  
'Renaissance Giants' (CDGIM207)
Renaissance Giants
Buy by post £11.75 CDGIM207  2CDs for the price of 1  
Details
Movement 1: Kyrie
Movement 2: Gloria
Movement 3: Credo
Movement 4: Sanctus and Benedictus
Movement 4a: Sanctus
Movement 4b: Benedictus
Movement 5: Agnus Dei

Missa Pange lingua
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Plainchant lies at the heart of the Missa Pange lingua, but in this case the foundation melody, the Corpus Christi Hymn ‘Pange lingua gloriosi’, has been so thoroughly absorbed into Josquin’s music that only the sharp-eared will be alert to its presence. Where many Masses based on chant keep the parent melody in the foreground, Josquin instead uses its contours to govern only the progress of the melodic lines, with all manner of infilling and rhythmic elaboration added to camouflage its essential shape. Possibly the appeal of the work to modern audiences—it is Josquin’s most performed Mass—lies precisely in the way its variety and unity are kept in equilibrium: for all the music’s richness of invention, everything is contained within clearly perceptible bounds of possibility. Only the very opening of the Hymn melody stubbornly retains its identity: it sets each of the five movements in motion, and sometimes recurs at major structural divisions in the text: at ‘Qui tollis peccata mundi’ in the Gloria, for example, ‘Crucifixus’ in the Credo, and at the head of all three invocations of the Agnus Dei.

from notes by John Milsom © 1992

Track-specific metadata
Click track numbers opposite to select

Details for CDGIM207 disc 1 track 9
Sanctus and Benedictus
Artists
ISRC
GB-ADM-86-20709
Duration
7'58
Recording date
Recording venue
Merton College Chapel, Oxford, United Kingdom
Recording producer
Steve C Smith & Peter Phillips
Recording engineer
Mike Clements
Hyperion usage
  1. Renaissance Giants (CDGIM207)
    Disc 1 Track 9
    Release date: October 2006
    2CDs for the price of 1
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