Hyperion Records

In thee, O Lord, do I put my trust, Z16
composer
circa 1682
author of text
Psalm 71: 1, 4, 5, 18, 20, 21

Recordings
'Purcell: The Complete Anthems and Services, Vol. 8' (CDA66686)
Purcell: The Complete Anthems and Services, Vol. 8
Buy by post £13.99 (ARCHIVE SERVICE) CDA66686  Archive Service; also available on CDS44141/51   Download currently discounted
'Purcell: The Complete Sacred Music' (CDS44141/51)
Purcell: The Complete Sacred Music
Buy by post £40.00 CDS44141/51  11CDs Boxed set (at a special price)  
Details
Track 1 on CDA66686 [11'50] Archive Service; also available on CDS44141/51
Track 1 on CDS44141/51 CD8 [11'50] 11CDs Boxed set (at a special price)

In thee, O Lord, do I put my trust, Z16
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The verse anthem In thee, O Lord, do I put my trust dates from around 1682, the middle of the period in which Purcell produced most of his anthems with strings. The autograph manuscript (the ‘Royal’ manuscript in the British Museum) is possibly based on an earlier and rougher autograph in the Bodleian Library, Oxford.

The symphony is unusual in that it is set on a ground bass: that ground too is unusual as Purcell later re-used it in the song O solitude, my sweetest choice. Purcell rarely recycled his own material. The Symphony is in one section, written in gentle, melancholy vein; the six-note rising scale heard in the ground permeates throughout this introduction, creating a continuous, intricately-woven texture which leads into the first vocal section. Purcell’s setting of ‘incline thine ear unto me’ is delightfully angular and leads via a short instrumental ritornello into the duet ‘For thou, O Lord God’. The trio returns at ‘Through thee have I been holden up’, with Purcell colouring ‘Thou art he that took me out of my mother’s womb’ with dropping chromaticism: the section is closed by a lyrical Symphony which is full of the delicious bittersweet harmony that makes Purcell’s instrumental writing so attractively individual.

‘O what great troubles’ is given to a solo bass, accompanied by two violins: Purcell characterfully illustrates the word ‘turn’ and the voice descends for ‘thou brought’st me from the deep’. For the more optimistic ‘Therefore will I praise thee’ Purcell introduces a major key and makes a rhythmic feature of the loosely syncopated ‘playing upon an instrument of music’; once again the section is closed by a fine string ritornello. The alto solo ‘My lips shall be fain’ is set over a gentle running bass and leads into the final Alleluias. This extended section features some delightful interplay between the three solo voices and another splendid ritornello before the anthem is closed by a short chorus.

from notes by Robert King ©

Track-specific metadata
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Details for CDS44141/51 disc 8 track 1
Artists
ISRC
GB-AJY-94-68601
Duration
11'50
Recording date
8 January 1994
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Ben Turner
Recording engineer
Philip Hobbs
Hyperion usage
  1. Purcell: The Complete Anthems and Services, Vol. 8 (CDA66686)
    Disc 1 Track 1
    Release date: April 1994
    Deletion date: September 2005
    Archive Service; also available on CDS44141/51
  2. Purcell: The Complete Sacred Music (CDS44141/51)
    Disc 8 Track 1
    Release date: November 2002
    11CDs Boxed set (at a special price)
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