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Fratres ego enim accepi

composer
author of text

 
The setting for double choir of Fratres ego enim accepi by Palestrina, a text commemorating the Last Supper was sung at Mass on Maundy Thursday at Vila Viçosa as Offertory. Palestrina’s motet is typical of the grand Roman polychoral style of the post-Tridentine era which had a profound effect on later Iberian composers of the counter-Reformation period. João IV had a keen interest in the music of Palestrina and, in defiance of earlier criticisms, defended his music in his treatise Respuestas (1654?).

from notes by Bernadette Nelson 1996

Recordings

Holy Week at the Chapel of the Dukes of Braganza
CDA66867Archive Service

Details

Track 13 on CDA66867 [3'16] Archive Service

Track-specific metadata for CDA66867 track 13

Artists
ISRC
GB-AJY-96-86713
Duration
3'16
Recording date
4 February 1996
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Martin Compton
Recording engineer
Tony Faulkner
Hyperion usage
  1. Holy Week at the Chapel of the Dukes of Braganza (CDA66867)
    Disc 1 Track 13
    Release date: September 1996
    Deletion date: October 2007
    Archive Service
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