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Lamentation for Maundy Thursday

First line:
Incipit lamentatio Jeremiae Prophetae
composer
6vv
author of text
Lamentations 1: 1-3

 
Padilla’s six-part Lamentations are properly traditional, being set almost archaicly in polyphony that is firmly based on the Spanish (Toledo) Lamentation tone. As always the Hebrew letters—Aleph, Beth, and so on—are composed to sad flowing vocalizations between the verses.

from notes by Bruno Turner © 1990

Les Lamentations à six parties de Padilla sont des plus traditionnelles, avec une mise en musique quasi archaïque, en polyphonie, solidement fondée sur le tonus lamentationum espagnol (Tolède). Comme toujours, les lettres hébraïques (aleph, beth, etc.) font l’objet de mornes vocalisations fluides entre les versets.

extrait des notes rédigées par Bruno Turner © 1990
Français: Hypérion

Padillas sechstimmige Lamentationen sind angemessen traditionell, nahezu archaisch in polyphonem Satz vertont, der fest auf dem spanischen (Toledo) Lamentationston basiert. Wie üblich werden die hebräischen Buchstaben—Aleph, Beth, usw.—mit trist-fließenden Gesangsmelismen zwischen die Verse eingeschoben.

aus dem Begleittext von Bruno Turner © 1990
Deutsch: Renate Wendel

Recordings

Masterpieces of Mexican Polyphony
CDH55317Archive Service
Victoria: Lamentations of Jeremiah
Studio Master: CDGIM043Studio Master FLAC & ALAC downloads available
Victoria: The Victoria Collection
GIMBX304Boxed set (at a special price) — Download only

Details

Track 10 on CDGIM043 [11'48]
Track 10 on GIMBX304 CD2 [11'48] Boxed set (at a special price) — Download only
Track 4 on CDH55317 [13'54] Archive Service

Track-specific metadata for CDGIM043 track 10

Artists
ISRC
GB-ADM-10-04310
Duration
11'48
Recording date
Recording venue
Merton College Chapel, Oxford, United Kingdom
Recording producer
Steve C Smith & Peter Phillips
Recording engineer
Philip Hobbs
Hyperion usage
  1. Victoria: Lamentations of Jeremiah (CDGIM043)
    Disc 1 Track 10
    Release date: March 2010
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