Hyperion Records

Ave virgo sanctissima
composer
1566; 5vv
author of text
Old Spanish Antiphon for the Nativity of St John the Baptist, 24 June

Recordings
'Guerrero: Missa Surge propera' (CDGIM040)
Guerrero: Missa Surge propera
Buy by post £11.75 CDGIM040  Studio Master FLAC & ALAC downloads available
'Masters of The Royal Chapel, Lisbon' (CDA66725)
Masters of The Royal Chapel, Lisbon
Buy by post £13.99 (ARCHIVE SERVICE) CDA66725  Archive Service  
'Miserere' (CDA67938)
Miserere
Buy by post £10.50 CDA67938  Studio Master FLAC & ALAC downloads available
'Renaissance Radio' (CDGIM212)
Renaissance Radio
Buy by post £11.75 CDGIM212  2CDs for the price of 1  
'The Golden Age, Vol. 1 – Europe' (CKD052)
The Golden Age, Vol. 1 – Europe
CKD052  Download only  
'Treasures of the Spanish Renaissance' (CDA66168)
Treasures of the Spanish Renaissance
CDA66168  To be superseded by CDH55430  
Details
Track 11 on CDA66725 [3'42] Archive Service
Track 15 on CDGIM212 CD1 [3'57] 2CDs for the price of 1
Track 2 on CKD052 [4'38] Download only

Ave virgo sanctissima
EnglishFrançaisDeutsch
One of the features of Guerrero’s music is the number of outstanding motets he wrote on texts praising the Virgin, to such a degree that commentators in his lifetime and beyond have been tempted to say that he had a fixation about her. His contemporaries even called him ‘El cantor de Maria’. But this is really a tribute to the power of his music, since Mary has been of central importance to most Catholic composers, even if they could not match Guerrero’s balance and serenity. Famous is Ave virgo sanctissima, which became so popular in Guerrero’s lifetime that it was regarded as the quintessentially perfect Marian motet and used as a parody model by a host of composers, many of them Flemish. Perhaps the most remarkable aspect of this masterpiece is that the intense emotion is generated within the confines of a canonic structure: the two sopranos parts echo each other throughout at an eight-beat interval, yet they move so smoothly and effortlessly that it would be easy to assume that there was no complexity involved. The phrase at ‘Margarita preciosa’ (‘as precious as a pearl’) is one of the loveliest in all renaissance music.

from notes by Peter Phillips İ 2005

Track-specific metadata
Click track numbers opposite to select

   English   Français   Deutsch