Hyperion Records

Alma redemptoris mater a 8
composer
1581; 8vv double choir
author of text
Antiphon to the Blessed Virgin Mary, Advent to the Feast of the Purification

Recordings
'Victoria: Missa Trahe me post te & other sacred music' (CDH55376)
Victoria: Missa Trahe me post te & other sacred music
Buy by post £5.50 CDH55376  Helios (Hyperion's budget label)  
Details
Track 8 on CDH55376 [6'58] Helios (Hyperion's budget label)

Alma redemptoris mater a 8
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Alma redemptoris mater is an antiphon of the Blessed Virgin Mary which is sung during Advent and until the Feast of the Purification. Victoria composed two settings of it, one for five voices first published in 1572, and another for eight voices dated 1581. This setting for two equal mixed-voice choirs makes clear reference to the antiphon plainsong in a striking beginning in which the three upper voices of the first choir fan out from the same note in successive entries, with the top part outlining the first phrase of the plainsong. The words ‘redemptoris mater’ are then set to a homophonic passage of wonderful sonority, which is succeeded by more contrapuntally conceived passages for ‘quae pervia caeli’ and ‘et stella maris’ with some reduction in the number of voices. The first part of the antiphon ends with a rich and rhythmically vigorous section for both choirs at the words ‘succurre cadenti surgere qui curat populo’. The Secunda Pars opens with a passage of extremely effective slow antiphonal declamation of the words ‘Tu quae genuisti’ followed by running quaver scales to express ‘natura mirante’. Soon after this Victoria uses to great effect one of his most telling harmonic devices, the introduction of a pair of chords not previously or subsequently employed in the piece, in this case a G minor and a C minor chord used at the words ‘virgo prius’ to underline the sanctity of the virginity of the Mother of God. The antiphon ends with a sustained passage of full double-choir writing of enormous richness and sonority.

from notes by Jon Dixon © 1994

Track-specific metadata
Details for CDA66738 track 8
Artists
ISRC
GB-AJY-94-73808
Duration
6'58
Recording date
18 March 1994
Recording venue
Westminster Cathedral, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. Victoria: Missa Trahe me post te & other sacred music (CDA66738)
    Disc 1 Track 8
    Release date: October 1994
    Deletion date: January 2009
    Superseded by CDH55376
  2. Victoria: Missa Trahe me post te & other sacred music (CDH55376)
    Disc 1 Track 8
    Release date: May 2011
    Helios (Hyperion's budget label)
Licensing
1.Television Poltergeist 'The Substitute', MGM, 1996
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