Hyperion Records

Peccantem me quotidie
composer
1572; 5vv; Motettorum liber secundus, Venice
author of text
Seventh Respond at Matins for the Dead

Recordings
'Palestrina: Missa Ecce ego Johannes & other sacred music' (CDH55407)
Palestrina: Missa Ecce ego Johannes & other sacred music
Buy by post £5.50 CDH55407  Helios (Hyperion's budget label)  
Details
Track 2 on CDH55407 [4'38] Helios (Hyperion's budget label)

Peccantem me quotidie
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Peccantem me quotidie, a penitential motet which first appeared in Motettorum liber secundus (1572, Venice) makes use of soaring melodic phrases and quite abrupt harmonic and textural contrasts. The text is haunted by the need for repentance and the fear of death: the words ‘timor mortis conturbat me’ (so chillingly reiterated by the fifteenth-century Scottish poet William Dunbar in his Lament for the Makers) are set in simple block chords, but move symbolically into new harmonic territory. There is an audible darkening, so to speak, with the despairing descending phrases of ‘nulla est redemptio’, but with the startling plea for mercy at ‘Miserere mei, Deus’, the end of the work is bathed in the light of hope.

from notes by Ivan Moody © 1999

Track-specific metadata
Details for CDA67099 track 2
Artists
ISRC
GB-AJY-99-09902
Duration
4'38
Recording date
16 February 1999
Recording venue
Westminster Cathedral, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell & Julian Millard
Hyperion usage
  1. Palestrina: Missa Ecce ego Johannes & other sacred music (CDA67099)
    Disc 1 Track 2
    Release date: August 1999
    Deletion date: October 2009
    Superseded by CDH55407
  2. Palestrina: Missa Ecce ego Johannes & other sacred music (CDH55407)
    Disc 1 Track 2
    Release date: March 2012
    Helios (Hyperion's budget label)
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