Hyperion Records

Sonata No 2 in A minor, BWV1003
composer
1720; Cöthen; Sei Solo a Violino senza Basso accompagnato Libro Primo; first published in 1802; later transcribed, possibly by Wilhelm Friedemann Bach, as the Sonata for harpsichord solo, BWV964

Recordings
'Bach: Sonatas and Partitas for solo violin' (CDA67691/2)
Bach: Sonatas and Partitas for solo violin
'Bach: Sonatas and Partitas for solo violin' (CDD22009)
Bach: Sonatas and Partitas for solo violin
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £27.98 (ARCHIVE SERVICE) CDD22009  2CDs Dyad (2 for the price of 1) — Archive Service  
'Bach: Sonatas and Partitas for solo violin' (CKD366)
Bach: Sonatas and Partitas for solo violin
MP3 £8.00FLAC £10.00ALAC £10.00 CKD366  Download only  
'Bach: Piano Transcriptions, Vol. 5 – Goedicke, Kabalevsky, Catoire & Siloti' (CDA67506)
Bach: Piano Transcriptions, Vol. 5 – Goedicke, Kabalevsky, Catoire & Siloti
'Bach: Piano Transcriptions, Vol. 10 – Saint-Saëns & Philipp' (CDA67873)
Bach: Piano Transcriptions, Vol. 10 – Saint-Saëns & Philipp
Details
Movement 1: Grave
Track 13 on CDA67691/2 CD1 [4'34] 2CDs
Track 13 on CDD22009 CD1 [3'53] 2CDs Dyad (2 for the price of 1) — Archive Service
Track 9 on CKD366 CD2 [3'49] Download only
Movement 2: Fuga
Track 14 on CDA67691/2 CD1 [7'46] 2CDs
Track 14 on CDD22009 CD1 [8'47] 2CDs Dyad (2 for the price of 1) — Archive Service
Track 10 on CKD366 CD2 [8'26] Download only
Movement 3: Andante
arranger

Track 10 on CDA67506 [4'35]
Track 15 on CDA67691/2 CD1 [5'34] 2CDs
arranger
dedicated to Emile Lehman; published in 1862 by Flaxland

Track 5 on CDA67873 [4'57]
Track 15 on CDD22009 CD1 [5'19] 2CDs Dyad (2 for the price of 1) — Archive Service
Track 11 on CKD366 CD2 [5'26] Download only
Movement 4: Allegro
Track 16 on CDA67691/2 CD1 [5'28] 2CDs
Track 16 on CDD22009 CD1 [5'38] 2CDs Dyad (2 for the price of 1) — Archive Service
Track 12 on CKD366 CD2 [6'16] Download only

Sonata No 2 in A minor, BWV1003
EnglishFrançaisDeutsch
The third work in Bach’s collection is the Sonata in A minor (BWV1003). In its opening Grave, a Largo to all intents and purposes, Bach makes extensive use of multiple stopping to provide harmonic support to the melodic line. As in the slow movement of the G minor Sonata, the music contains structural ambiguities for performer and listener alike, providing players with a variety of interpretative possibilities. The Fuga which follows presents a terse subject which, however, Bach develops in a manner altogether more complex than the equivalent movement in the G minor work. Here he achieves a wonderful expressive variety, developing the fugal material with contrasting passages of semiquavers, and multiple stopping to create two or three independent parts. The melodic line of the lyrical Andante is strongly differentiated from the underlying harmonic support, presenting something of a challenge to the performer who must preserve the distinction between the two elements. This melodically appealing movement leads to an Allegro finale, in binary form, in which Bach dispenses with multiple stopping in favour of a single melodic line containing a profusion of broken chords. The Sonata was later transcribed, perhaps by Wilhelm Friedemann Bach, as a piece for harpsichord solo (BWV964).

from notes by Nicholas Anderson © 2009

Track-specific metadata
Click track numbers opposite to select

Details for CDD22009 disc 1 track 15
Andante
Artists
ISRC
GB-AJY-96-00915
Duration
5'19
Recording date
27 May 1996
Recording venue
Orford Church, Suffolk, United Kingdom
Recording producer
Martin Compton
Recording engineer
Antony Howell & Julian Millard
Hyperion usage
  1. Bach: Sonatas and Partitas for solo violin (CDD22009)
    Disc 1 Track 15
    Release date: March 1997
    Deletion date: October 2006
    2CDs Dyad (2 for the price of 1) — Archive Service
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