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Partita No 1 in B minor, BWV1002
composer
Johann Sebastian Bach (1685-1750)
1720; Cöthen; Sei Solo a Violino senza Basso accompagnato Libro Primo; first published in 1802

Copyright holder as reported by MCPS: Public Domain

Recordings
'Bach: Sonatas and Partitas for solo violin' (CDA67691/2)
Bach: Sonatas and Partitas for solo violin
Alina Ibragimova (violin)
'Bach: Sonatas and Partitas for solo violin' (CDD22009)
Bach: Sonatas and Partitas for solo violin
Elizabeth Wallfisch (violin)
MP3 £7.99
FLAC £7.99
ALAC £7.99
Buy by post £27.98 (ARCHIVE SERVICE)
CDD22009  2CDs Dyad (2 for the price of 1) — Archive Service Only  
'Bach: Piano Transcriptions, Vol. 3 – Friedman, Grainger & Murdoch' (CDA67344)
Bach: Piano Transcriptions, Vol. 3 – Friedman, Grainger & Murdoch
Piers Lane (piano)
'Bach: Piano Transcriptions, Vol. 10 – Saint-Saëns & Philipp' (CDA67873)
Bach: Piano Transcriptions, Vol. 10 – Saint-Saëns & Philipp
Nadejda Vlaeva (piano)
Details
Movement 1: Allemanda
Alina Ibragimova (violin)
Track 5 on CDA67691/2 CD1 [5'11] 2CDs
Elizabeth Wallfisch (violin)
Track 5 on CDD22009 CD1 [4'40] 2CDs Dyad (2 for the price of 1) — Archive Service Only
Movement 2: Double
Alina Ibragimova (violin)
Track 6 on CDA67691/2 CD1 [2'27] 2CDs
Elizabeth Wallfisch (violin)
Track 6 on CDD22009 CD1 [2'10] 2CDs Dyad (2 for the price of 1) — Archive Service Only
Movement 3: Corrente
Alina Ibragimova (violin)
Track 7 on CDA67691/2 CD1 [3'27] 2CDs
Elizabeth Wallfisch (violin)
Track 7 on CDD22009 CD1 [3'08] 2CDs Dyad (2 for the price of 1) — Archive Service Only
Movement 4: Double
Alina Ibragimova (violin)
Track 8 on CDA67691/2 CD1 [3'18] 2CDs
Elizabeth Wallfisch (violin)
Track 8 on CDD22009 CD1 [3'07] 2CDs Dyad (2 for the price of 1) — Archive Service Only
Movement 5: Sarabande
Alina Ibragimova (violin)
Track 9 on CDA67691/2 CD1 [3'36] 2CDs
Elizabeth Wallfisch (violin)
Track 9 on CDD22009 CD1 [3'20] 2CDs Dyad (2 for the price of 1) — Archive Service Only
Movement 6: Double
Alina Ibragimova (violin)
Track 10 on CDA67691/2 CD1 [3'34] 2CDs
Elizabeth Wallfisch (violin)
Track 10 on CDD22009 CD1 [2'41] 2CDs Dyad (2 for the price of 1) — Archive Service Only
Movement 7: Bourrée
arranger
Ignacy Friedman (1882-1948)

Piers Lane (piano)
Track 10 on CDA67344 [2'08]
arranger
Camille Saint-Saëns (1835-1921)
dedicated to Adam Laussel; published in 1862 by Flaxland

Nadejda Vlaeva (piano)
Track 4 on CDA67873 [3'09]
Movement 7: Tempo di borea
Alina Ibragimova (violin)
Track 11 on CDA67691/2 CD1 [3'18] 2CDs
Elizabeth Wallfisch (violin)
Track 11 on CDD22009 CD1 [2'14] 2CDs Dyad (2 for the price of 1) — Archive Service Only
Movement 8: Double
Alina Ibragimova (violin)
Track 12 on CDA67691/2 CD1 [3'08] 2CDs
Elizabeth Wallfisch (violin)
Track 12 on CDD22009 CD1 [2'05] 2CDs Dyad (2 for the price of 1) — Archive Service Only

Partita No 1 in B minor, BWV1002
EnglishFrançaisDeutsch
The Partita in B minor (BWV1002) is outwardly, perhaps, the most straightforward and expressively undemonstrative of the three. It consists of four classical suite movements, though each has its own Double, or variation. The work begins with an Allemanda whose character is defined by angular, even seemingly awkward contours. By comparison, its Double is uncomplicated, yet here as throughout the suite Bach’s writing appears tinged with an underlying expressive melancholy. Following a brisker Corrente and its Double, marked Presto, is the Sarabande and Double, whose graceful gestures and noble eloquence establish its position as a focal point of the suite. The concluding Tempo di borea, or Bourrée, and its Double make effective use of sequences to extend phrases and to generate energy.

from notes by Nicholas Anderson © 2009

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