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Harp Quintet

composer
1919; Tempo moderato

 
In 1919 Bax returned to Ireland, probably for the first time since the War. His play, The Grey Swan, and the second Piano Sonata were surely stimulated by that visit, and it is probable this Quintet was, too, evocative of revisiting familiar places and people Bax had known. The Quintet is in one movement, and of its two principal themes the first four notes of the first constitute a motif which recurs in the second. As in all Bax’s work with harp, the quality of the actual sound is important, and a climax early in the piece, molto vivace, for tremolando strings, for example, is orchestral in effect. In a later passage muted strings are contrasted softly with the tone colour of the harp, while occasional use of harp harmonics adds to Bax’s varied and colourful palette. Although written in 1919 this striking score was not first performed until February 1921, when the string quartet was the Philharmonic Quartet to whose violist, Raymond Jeremy, it is dedicated.

from notes by Lewis Foreman 1995

Recordings

Bax: Nonet & other chamber music
CDA66807Archive Service

Details

Track 9 on CDA66807 [14'32] Archive Service

Track-specific metadata for CDA66807 track 9

Artists
ISRC
GB-AJY-95-80709
Duration
14'32
Recording date
3 June 1995
Recording venue
Henry Wood Hall, London, United Kingdom
Recording producer
Andrew Keener
Recording engineer
Antony Howell & Julian Millard
Hyperion usage
  1. Bax: Nonet & other chamber music (CDA66807)
    Disc 1 Track 9
    Release date: February 1996
    Deletion date: December 2013
    Archive Service
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