There are no fewer than three lullabies (Newborn, The Only Child and Baby). Hope describes the child's frustration with the fact that neither snow nor sand are any good for growing things. Skylark and Nightingale displays the joy of discovering birdsong by day and by night. In The Blind Boy a child blind from birth looks forward to seeing 'beautiful flowers and birds in bow'rs' in the afterlife. Despite Rossetti's religious convictions, Death-parting carries the flavour of Victorian doubt in the pessimistic, gloom-laden line on the death of a child, 'Never to meet again, my dear / Never to part again'. And smell the flowers at the funeral in The Garland. The cycle is dedicated to one of Ireland's sisters.
from notes by Andrew Green © 1999
'Perhaps these discs will at last bring the best of his songs back into live recital' (BBC Music Magazine)
'Three excellent young British singers share the treasures recorded here under the sage aegis of Graham Johnson. Lisa Milne's bright, keen soprano is ...» More