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Eccard was a chorister in the Kapelle of the Weimar court from 1567 until it was disbanded in 1571. He then went to Munich to sing in the Bavarian Hofkapelle, where he also studied with Lassus. He served in Augsburg and in 1579 at the Hofkappelle of Margrave Georg Friedrich of Brandenburg-Ansbach, later becoming vice-Kapellmeister. He was appointed Kapellmeister in his own right on the accession of Joachim Friedrich as Elector in 1604.
Eccard’s music is frequently scored for more than four voices—here the setting is in six parts. His music thus sounds rich and sonorous, the inner parts having their own melodic and rhythmic logic. This type of piece is known as a ‘chorale-motet’ and such works are characteristic of the seventeenth-century Protestant composers.
from notes by William McVicker © 2002
|Epiphany at St Paul's|
Hyperion’s series of St Paul’s recordings is graced by an addition dedicated to music for Epiphany. The programme embraces music from the sixteenth to the twentieth century, from Bach to Bingham, and includes many long-established favourites by We ...» More