Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Le rideau de ma voisine, sn7

composer
14 May 1879
author of text

 
This poem is a translation of Goethe’s poem Selbstbetrug (beginning ’Der Vorhang schwebet hin und her bei mei ner Nach barrin’). Alfred de Musset published it as Chanson de Goethe in 1836, but by 1852 and the publication of Poésies nouvelles it had acquired the poem’s first line as a title with an added parenthesis ‘imité de Goethe’ (and admittedly it is a rather free translation).

This is one of the earliest songs on these discs, composed at a time when the composer had just made up his mind to attempt a musical career. It was natural that Chausson should have turned to one of the poets set by such established mélodie composers as Gounod (the famous song Venise), Bizet, Lalo and Franck. A few years later he would use a Musset play as the basis for his opéra­comique Les caprices de Marianne composed between 1882 and 1884 (Op 4, unpublished).

The music for this harmless voyeur is quite charming—gently melodic with occasional signs that the composer was aiming at touches of originality in the piano writing. The unusual syncopated figure at the beginning of the vocal line is a sign of this, as well as the oscillating quaver accompaniment in the middle of the song which unintentionally prophesies the manner of the piano writing of the late Fauré (cf the opening of the cycle L’horizon chimérique). The echo in the accompaniment after the phrase ‘aimé un lourdaud’ has a genuine ache about it. It is significant that no sooner has he started writing mélodies than the composer opts to set a text that describes the plight of the excluded outsider, poetry of impotence and inaction rather than reward and fulfilment. The themes of renunciation and loss here make an early appearance in the Chausson canon.

from notes by Graham Johnson 2001

Recordings

Chausson: Songs
CDA67321/22CDs Archive Service

Details

Track 6 on CDA67321/2 CD1 [1'42] 2CDs Archive Service

Track-specific metadata for CDA67321/2 disc 1 track 6

Artists
ISRC
GB-AJY-00-32106
Duration
1'42
Recording date
11 November 1999
Recording venue
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell & Julian Millard
Hyperion usage
  1. Chausson: Songs (CDA67321/2)
    Disc 1 Track 6
    Release date: March 2001
    Deletion date: June 2015
    2CDs Archive Service
Waiting for content to load...
Waiting for content to load...