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Alleluia Ave Maria

Gradualia I
author of text
Luke 1: 28

No one really knows how William Byrd, for all that he was acknowledged at the time (and now) as the greatest English composer of his day, was able to write and publish music openly intended for the Catholic liturgy at a time when the practice of that faith was illegal in England. It is indeed possible that he was protected by the favour of Queen Elizabeth; but his most ‘Catholic’ collection, the Gradualia, was published in the more rabidly anti-Catholic period of James I’s reign—Volume 1, indeed (from which Alleluia – Ave Maria comes), actually in the year of the Gunpowder Plot, 1605. Byrd’s intention in the Gradualia was to provide music for all occasions of the Church’s year, and this motet is typical of many in the collection: concise, unostentatious and devout in expression, with a texture fluidly alternating between skilfully woven polyphony and simple block chords.

from notes by Collegium Records 1992


Byrd: Gradualia - The Marian Masses
CDH55047Archive Service
Hail! Queen of Heaven
CSCD508Download only


Track 18 on CSCD508 [4'15] Download only
Part 1: Alleluia Ave Maria
Track 32 on CDH55047 [1'57] Archive Service
Part 2: Virga Jesse
Track 33 on CDH55047 [2'22] Archive Service

Track-specific metadata for CDA66451 track 32

Alleluia Ave Maria
Recording date
1 March 1990
Recording venue
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Recording producer
Gary Cole
Recording engineer
Antony Howell
Hyperion usage
  1. Byrd: Gradualia - The Marian Masses (CDA66451)
    Disc 1 Track 32
    Release date: November 1990
    Deletion date: May 2002
    Superseded by CDH55047
  2. Byrd: Gradualia - The Marian Masses (CDH55047)
    Disc 1 Track 32
    Release date: May 2002
    Deletion date: November 2013
    Archive Service
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