Movement 01: Leçon de Félicita
Movement 02: Entrée de Lucrèce
Movement 03: Variation de Rosina
Movement 04: Entrée de Félicita
Movement 05: Pas de deux de Josephine et du Comte Anselme
Movement 06: Danse de Félicita et de Fabrino
Movement 07: L'Actrice
Movement 08: Pastorale
Movement 09: Entrée du Notaire
Movement 10: Finale
In one act, the music on which Scuola di Ballo is based has been identified as coming mostly from Boccherini’s numerous string quintets, but the pas de deux, Larghetto, is taken from the finale of the Italian’s Sinfonia in B flat for wind instruments. Based on a story by the eighteenth-century Italian dramatist Carlo Goldoni, Massine’s choreography for Scuola di Ballo tells of a commedia dell’arte company preparing for a production, and the rivalry engendered between a talented newcomer, the established prima ballerina and an endearing but bumbling member of the company. The story is inconsequential, but the music is utterly delightful.
Scuola di Ballo was quite successful. In the late 1930s, Antal Dorati conducted selections from the score on 78rpm discs with the London Philharmonic for English Columbia.
from notes by Robert Matthew-Walker © 2002