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Canzon duodecimi toni a 10, C178

composer
1597; No 9 of Sacrae Symphoniae

 
The triumphant character of the 12th mode could hardly be more fully expressed than in this joyful work. The instrumentation is not specified, but the top two parts are almost certainly intended for violins: they descend to the tenor G, just off the range of the treble cornett. These concertante parts, full of scales and arpeggios, show how brilliantly Gabrieli could incorporate the virtuoso diminutions of the instrumentalists into a formal structure of the utmost simplicity and clarity.

The brief opening tutti recurs five times, framing a series of episodes in which the soloists cavort in athletic competition, accompanied at first only by the lowest sackbuts and then by the other members of the ten-part band in a subtle display of cumulative orchestration. Gabrieli seems to invent the ethos of the Vivaldian double-violin concerto, over a century before its time.

from notes by Timothy Roberts 1997

Recordings

Gabrieli: Sacrae Symphoniae
CDA66908

Track-specific metadata for CDA66908 track 5

Artists
ISRC
GB-AJY-97-90805
Duration
3'47
Recording date
5 March 1997
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell & Julian Millard
Hyperion usage
  1. Gabrieli: Sacrae Symphoniae (CDA66908)
    Disc 1 Track 5
    Release date: September 1997
Licensing
1.Audio tour The Vatican: Rome
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