The harmony is consistently bright, based almost entirely on major chords, and Gabrieli’s feeling for contrasts of key seems remarkably modern; the ‘white-note’ harmony of the mode is punctuated by four cadences in the ‘dominant’, G major, and a delightful sprinkling of more distant major chords: B flat, D, A and E major.
from notes by Timothy Roberts © 1997
|Gabrieli: Sacrae Symphoniae|
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