Hyperion Records

Müllerlieder von Franz Schubert, S565bis
composer
Die schöne Müllerin
composer
circa 1879; second version

Recordings
'Liszt: The complete music for solo piano, Vol. 33 – The Schubert Transcriptions III' (CDA66957/9)
Liszt: The complete music for solo piano, Vol. 33 – The Schubert Transcriptions III
MP3 £15.00FLAC £15.00ALAC £15.00Buy by post £26.00 CDA66957/9  3CDs   Download currently discounted
'Liszt: Complete Piano Music' (CDS44501/98)
Liszt: Complete Piano Music
MP3 £160.00FLAC £160.00ALAC £160.00Buy by post £200.00 CDS44501/98  99CDs Boxed set + book (at a special price)  
Details
No 1: Das Wandern
Track 13 on CDA66957/9 CD1 [2'01] 3CDs
Track 13 on CDS44501/98 CD76 [2'01] 99CDs Boxed set + book (at a special price)
No 2: Der Müller und der Bach
Track 14 on CDA66957/9 CD1 [6'01] 3CDs
Track 14 on CDS44501/98 CD76 [6'01] 99CDs Boxed set + book (at a special price)
No 3: Der Jäger
Track 15 on CDA66957/9 CD1 [0'39] 3CDs
Track 15 on CDS44501/98 CD76 [0'39] 99CDs Boxed set + book (at a special price)
No 4: Die böse Farbe
Track 16 on CDA66957/9 CD1 [2'52] 3CDs
Track 16 on CDS44501/98 CD76 [2'52] 99CDs Boxed set + book (at a special price)
No 5: Wohin?
Track 17 on CDA66957/9 CD1 [3'10] 3CDs
Track 17 on CDS44501/98 CD76 [3'10] 99CDs Boxed set + book (at a special price)
No 6: Ungeduld (second transcription)
Track 18 on CDA66957/9 CD1 [2'20] 3CDs
Track 18 on CDS44501/98 CD76 [2'20] 99CDs Boxed set + book (at a special price)

Müllerlieder von Franz Schubert, S565bis
EnglishFrançaisDeutsch
When Liszt reissued the transcriptions of six songs from Die schöne Müllerin—the Müllerlieder—he made rather few changes to his first thoughts: the plan remains that of the earlier versions, but various subtle alterations are effected. In Das Wandern, as in Wohin?, it is only a matter of a chord or an arpeggio sign here and there. In Der Müller und der Bach the opportunity is taken here to present the alternative text of the third verse, which is in fact also present in the earlier version. The actual alterations are otherwise few. In Der Jäger and Die böse Farbe, Liszt simplifies the text in many subtle ways, mostly for the performer’s convenience, and in Ungeduld he has second thoughts about an extra little bit of counterpoint he introduced in the bass line towards the end of the earlier version, and it is now omitted.

from notes by Leslie Howard © 1995

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