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Hyperion Records

Partita No 1 in B minor, BWV1002
composer
1720; Cöthen

Recordings
Cover of 'Bach: Sonatas and Partitas for solo violin' (CDA67691/2)
Cover of 'Bach: Sonatas and Partitas for solo violin' (CDD22009)
Bach: Sonatas and Partitas for solo violin
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CDD22009  2CDs Dyad (2 for the price of 1) — 2CDs Archive Service Only  
Cover of 'Bach: Piano Transcriptions, Vol. 10 – Saint-Saëns & Philipp' (CDA67873)
Cover of 'Bach: Piano Transcriptions, Vol. 3 – Friedman, Grainger & Murdoch' (CDA67344)
Details
Movement 1: Allemanda
Track 5 on CDA67691/2 CD1 [5'11] 2CDs
Track 5 on CDD22009 CD1 [4'40] 2CDs Dyad (2 for the price of 1) — 2CDs Archive Service Only
Movement 2: Double
Track 6 on CDA67691/2 CD1 [2'27] 2CDs
Track 6 on CDD22009 CD1 [2'10] 2CDs Dyad (2 for the price of 1) — 2CDs Archive Service Only
Movement 3: Corrente
Track 7 on CDA67691/2 CD1 [3'27] 2CDs
Track 7 on CDD22009 CD1 [3'08] 2CDs Dyad (2 for the price of 1) — 2CDs Archive Service Only
Movement 4: Double
Track 8 on CDA67691/2 CD1 [3'18] 2CDs
Track 8 on CDD22009 CD1 [3'07] 2CDs Dyad (2 for the price of 1) — 2CDs Archive Service Only
Movement 5: Sarabande
Track 9 on CDA67691/2 CD1 [3'36] 2CDs
Track 9 on CDD22009 CD1 [3'20] 2CDs Dyad (2 for the price of 1) — 2CDs Archive Service Only
Movement 6: Double
Track 10 on CDA67691/2 CD1 [3'34] 2CDs
Track 10 on CDD22009 CD1 [2'41] 2CDs Dyad (2 for the price of 1) — 2CDs Archive Service Only
Movement 7: Bourrée
arranger

Track 10 on CDA67344 [2'08]
arranger
dedicated to Adam Laussel; published in 1862 by Flaxland

Track 4 on CDA67873 [3'09]
Movement 7: Tempo di borea
Track 11 on CDA67691/2 CD1 [3'18] 2CDs
Track 11 on CDD22009 CD1 [2'14] 2CDs Dyad (2 for the price of 1) — 2CDs Archive Service Only
Movement 8: Double
Track 12 on CDA67691/2 CD1 [3'08] 2CDs
Track 12 on CDD22009 CD1 [2'05] 2CDs Dyad (2 for the price of 1) — 2CDs Archive Service Only

Partita No 1 in B minor, BWV1002
EnglishFrançaisDeutsch
The sonatas and partitas for solo violin and the suites for solo cello show how detailed was Bach’s knowledge of the possibilities of these instruments, and how far the inherent expressive and virtuoso qualities could be stretched. With just the single solo line available the contrapuntal and harmonic structure could for the most part only be implied, but Bach’s genius endowed these pieces with such depth and substance that they are totally satisfying and complete. Nevertheless, realising the implied harmonies and counterpoint offers the transcriber unlimited opportunities for invention. Notable examples must also include Rachmaninov’s transcription of the Prelude, Gavotte and Gigue from the above Partita in E, and Busoni’s majestic arrangement of the Chaconne from the D minor Partita.

from notes by Piers Lane © 2003

Track-specific metadata
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Details for CDA67344 track 10
Movement 7: Bourrée
Artists
ISRC
GB-AJY-03-34410
Duration
2'08
Recording date
6 May 2002
Recording venue
Henry Wood Hall, London, United Kingdom
Recording producer
Amanda Hurton
Recording engineer
Arne Akselberg
Hyperion usage
   English   Français   Deutsch
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