Recordings
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Bach: Six Trio Sonatas transcribed
CDA66843
Archive Service Only
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Bach: Trio Sonatas
CDA66390
Archive Service Only
Download currently discounted
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Bach: Piano Transcriptions, Vol. 4 – Samuel Feinberg
CDA67468
2CDs for the price of 1
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Bach: The Complete Organ Works
CDS44121/36
16CDs Boxed set (at a special price) — 16CDs Deleted
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Details
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Movement 1: Allegro
Track 7 on CDA66390
[5'04]
Archive Service Only
(Copyright holder as reported by MCPS: Public Domain)
arranger
Track 13 on CDA66843
[4'16]
Archive Service Only
(Copyright holder as reported by MCPS: Robert King)
Track 7 on CDS44121/36
CD1 [5'04]
16CDs Boxed set (at a special price) — 16CDs Deleted
(Copyright holder as reported by MCPS: Public Domain)
Movement 2: Largo
Track 8 on CDA66390
[5'31]
Archive Service Only
(Copyright holder as reported by MCPS: Public Domain)
arranger
Track 14 on CDA66843
[5'32]
Archive Service Only
(Copyright holder as reported by MCPS: Robert King)
arranger
Track 8 on CDS44121/36
CD1 [5'31]
16CDs Boxed set (at a special price) — 16CDs Deleted
(Copyright holder as reported by MCPS: Public Domain)
Movement 3: Allegro
Track 9 on CDA66390
[3'54]
Archive Service Only
(Copyright holder as reported by MCPS: Public Domain)
arranger
Track 15 on CDA66843
[3'08]
Archive Service Only
(Copyright holder as reported by MCPS: Robert King)
Track 9 on CDS44121/36
CD1 [3'54]
16CDs Boxed set (at a special price) — 16CDs Deleted
(Copyright holder as reported by MCPS: Public Domain)
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The similarity that we cannot fail to notice with Busoni might be more profound than we suspect, as is suggested by an examination of their work as composers, their harmonic research, the nature of their piano writing in their original compositions, and even their work as performers and their musicological writings. (The fact that their visionary work as composers has in each case recently been re-evaluated by comparison with the rest of their legacy is also a strange and interesting coincidence.)
The type of writing generally used by Feinberg in all of his piano music – spacious, favouring the simultaneous use of distant registers, with constant contrasts – also finds an eloquent and inspirational application in these transcriptions, giving them henceforth a life of their own.
from notes by Christophe Sirodeau © 2004
English: Andrew Barnett
