Hyperion Records

From those serene and rapturous joys, Z326
composer
25 September 1684
author of text

Recordings
'Purcell: Odes, Vol. 6 – Love's goddess sure' (CDA66494)
Purcell: Odes, Vol. 6 – Love's goddess sure
Buy by post £13.99 (ARCHIVE SERVICE) CDA66494  Archive Service; also available on CDS44031/8   Download currently discounted
'Purcell: The Complete Odes & Welcome Songs' (CDS44031/8)
Purcell: The Complete Odes & Welcome Songs
Buy by post £38.50 CDS44031/8  8CDs Boxed set (at a special price)  
Details
Movement 1: Symphony
Track 17 on CDA66494 [3'36] Archive Service; also available on CDS44031/8
Track 17 on CDS44031/8 CD6 [3'36] 8CDs Boxed set (at a special price)
Movement 2: From those serene and rapturous joys
Track 18 on CDA66494 [3'23] Archive Service; also available on CDS44031/8
Track 18 on CDS44031/8 CD6 [3'23] 8CDs Boxed set (at a special price)
Movement 3: Behold th' indulgent Prince is come
Track 19 on CDA66494 [2'12] Archive Service; also available on CDS44031/8
Track 19 on CDS44031/8 CD6 [2'12] 8CDs Boxed set (at a special price)
Movement 4: Not with an Helmet or a glitt'ring Spear
Track 20 on CDA66494 [2'44] Archive Service; also available on CDS44031/8
Track 20 on CDS44031/8 CD6 [2'44] 8CDs Boxed set (at a special price)
Movement 5: Welcome as soft refreshing show'rs
Track 21 on CDA66494 [2'35] Archive Service; also available on CDS44031/8
Track 21 on CDS44031/8 CD6 [2'35] 8CDs Boxed set (at a special price)
Movement 6: Welcome, more welcome does he come
Track 22 on CDA66494 [4'33] Archive Service; also available on CDS44031/8
Track 22 on CDS44031/8 CD6 [4'33] 8CDs Boxed set (at a special price)
Movement 7: Nor does the Sun more comfort bring
Track 23 on CDA66494 [1'12] Archive Service; also available on CDS44031/8
Track 23 on CDS44031/8 CD6 [1'12] 8CDs Boxed set (at a special price)
Movement 8: With trumpets and shouts we receive the World's Wonder
Track 24 on CDA66494 [3'01] Archive Service; also available on CDS44031/8
Track 24 on CDS44031/8 CD6 [3'01] 8CDs Boxed set (at a special price)

From those serene and rapturous joys, Z326
EnglishFrançaisDeutsch
From those serene and rapturous joys, Purcell’s fifth Welcome Song for his employer, Charles II, was written to celebrate the King’s return to Whitehall in September 1684. Normally the King would have returned direct from Windsor, but this year some careful political manoeuvering had proved necessary, and Charles, together with the Duke of York, had moved from Windsor to Winchester at the end of August, travelling back to Whitehall in time for the celebrations of 25 September. Thomas Flatman’s Ode makes elegantly veiled (and, of course, flattering) references to the King’s diplomatic summer progress which successfully (and peacefully) ended his struggle to control England. For the first time the royal purse strings were not stretched to breaking point, and payments to royal musicians, Purcell amongst them, were up-to-date. England, albeit briefly, really was at peace with itself, and Purcell’s reflective setting mirrored this mood.

The opening of yet another splendid Symphony immediately finds this mood in Purcell’s characteristically rich string sonorities, countered by a busy and characterful second section. The tranquil opening verse of the Ode, extolling the virtues of a quiet country life, is set for solo countertenor (probably sung in 1684 by the famous William Turner), with the ‘rapturous joys’ given a particularly expressive melisma, and then transformed and extended into a glorious string ritornello, full of Purcell’s inimitable harmonic and melodic twists. A bass spiritedly announces the arrival of ‘th’ indulgent Prince’, accompanied by two violins, and is joined in his welcome by the full ensemble in elegantly swinging triple time. Two sopranos prettily tell of the King’s peaceful conquest of his subjects before we are treated to another fine string ritornello, this time buoyant and energetic. ‘Welcome as soft refreshing show’rs’ gives another demonstration of the astonishing vocal range of John Gostling, Charles II’s favourite bass singer, and the chorus repeat their swinging chorus ‘Welcome home’.

Once again it is a ground bass which produces the most remarkable movement of the Ode, ‘Welcome, more welcome does he come’. The ground is unusual for Purcell in that it has rests at both the beginning and end, allowing him the option either of overlapping this hole by the voice, which he does on most occasions, or inserting a most effective pause. Combined with the ravishing string ritornello that follows the tenor solo, we have here yet another example of the genius of Purcell. The duet that follows, ‘Nor does the Sun more comfort bring’, is enrichened by the addition of a violin part, effectively creating a third voice, and by the short but sumptuous string playout. The final movement is a rumbustious one, ‘With trumpets and shouts’, which alternates between strings and a solo tenor before it is finally taken up by the whole ensemble. On this occasion, however, the jollity was short-lived. Within a few months, as the diarist John Evelyn noted, the ‘inexpressible luxury, and profaneness, gaming and all dissoluteness’ that had marked Charles’s reign came to a sudden end on 2 February 1685, with a fit of apoplexy. Four days later ‘was all in the dust’ and a less dissolute, but far less popular, monarch suddenly became Purcell’s new employer.

from notes by Robert King © 2010

Track-specific metadata
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Details for CDA66494 track 17
Symphony
Artists
ISRC
GB-AJY-92-49417
Duration
3'36
Recording date
15 March 1991
Recording venue
St Paul's Church, New Southgate, London, United Kingdom
Recording producer
Ben Turner
Recording engineer
Antony Howell
Hyperion usage
  1. Purcell: Odes, Vol. 6 – Love's goddess sure (CDA66494)
    Disc 1 Track 17
    Release date: April 1992
    Deletion date: August 2011
    Archive Service; also available on CDS44031/8
  2. Purcell: The Complete Odes & Welcome Songs (CDS44031/8)
    Disc 6 Track 17
    Release date: November 1992
    8CDs Boxed set (at a special price)
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