Hyperion Records

Dopo la vittoria
composer
1996
author of text
Italian translations of History of Church Singers and Chants by Archbishop Philaret, St Petersburg, 1902

Recordings
'Pärt: Triodion & other choral works' (CDA30013)
Pärt: Triodion & other choral works
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £8.50 CDA30013  Hyperion 30th Anniversary series  
'Pärt: Triodion & other choral works' (CDA67375)
Pärt: Triodion & other choral works
'Pärt: Triodion & other choral works' (SACDA67375)
Pärt: Triodion & other choral works
This album is not yet available for download SACDA67375  Super-Audio CD — Deleted  
Details
Track 1 on CDA30013 [10'00] Hyperion 30th Anniversary series
Track 1 on CDA67375 [10'00]
Track 1 on SACDA67375 [10'00] Super-Audio CD — Deleted

Dopo la vittoria
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As Pärt admits in a (rare) note accompanying Dopo la vittoria, the search for a text is not necessarily easy or quick; it took six years for him to find the right one for a commission by the City of Milan’s Cultural Department. The fact that the commissioner, Sandro Boccardi, asked him a full six years in advance of the particular anniversary the work was to mark may have contributed to Pärt’s relaxed view on the deadline!

The anniversary in question, in 1997, was the 1600th since the death of Saint Ambrosius, and so Pärt initially turned to the St Ambrosius hymns. ‘For some reason’, he writes, ‘they did not inspire me to begin the composition in question. Gradually I grew to believe I was not able to fulfil this particular task without writing a completely new Te Deum’ (Ambrosius is credited with the authorship of the Te Deum laudamus text). Pärt continues:

I was still looking for the adequate text when by chance I discovered an old church music encyclopaedia written in Russian. In it I found the story of Ambrosius and the scene of St Augustinus’ baptism, performed by Ambrosius. This description fascinated me, and my decision was made promptly … So I used the unaltered Russian text [translated into Italian] and took its first line to become the title of the my work. Its phrasing, dating from the year 1903, sounded to me almost like a poem in prose. The depiction itself has the form of a short two-person scenario, Ambrosius baptizing Augustinus. What I found particularly special and unusual in this story is the fact that Ambrosius, whilst the ceremony was in full swing, began to sing his Te Deum, and Augustinus joined in, easily continuing the chant as if he had known it for ever. And by singing antiphonally they finished off the Te Deum. I was fascinated and deeply influenced by this scene, with two giants of Western culture and Christianity full of spontaneous joy and inspiration, and now felt able to accomplish the commissioned work for the City of Milano in a relatively short time.

So this ‘piccolo cantata’—premiered in Milan’s San Simpliciano Basilica in December 1997 by the Swedish Radio Choir and Tõnu Kaljuste—honours St Ambrosius with a narrative lightness that is relatively unique for Pärt. In contrast with the broader homogeneous sweep of many of his choral settings, this work is sharply defined by sections closely related to the text. The pulsing, staccato briskness of the opening and close suggest the urgent enthusiasm of a storyteller. The Un poco tranquillo section moves the story on at ‘It was two years later’. Low solo voices mark out with antique solemnity the words ‘An unknown early biography of Augustine writes’, followed by equally reverential, organum-like parallel tenor and bass writing. And at three climactic points, Pärt makes particular emphasis of the actual words from Ambrosius’s famous religious text: ‘Te Deum laudamus’ early on, the Italian equivalent a little later (‘Lodiamo Te o Signore’), and the Te Deum’s final verse, ‘In Te, o Signore, ho posto la mia’—a passage as majestic and affirmative as the ‘Amen’ that follows is exquisitely sonorous.

from notes by Meurig Bowen © 2003

Track-specific metadata
Click track numbers opposite to select

Details for CDA30013 track 1
Artists
ISRC
GB-AJY-03-37501
Duration
10'00
Recording date
5 January 2003
Recording venue
Temple Church, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Julian Millard
Hyperion usage
  1. Pärt: Triodion & other choral works (CDA30013)
    Disc 1 Track 1
    Release date: October 2010
    Hyperion 30th Anniversary series
  2. Pärt: Triodion & other choral works (CDA67375)
    Disc 1 Track 1
    Release date: September 2003
  3. Pärt: Triodion & other choral works (SACDA67375)
    Disc 1 Track 1
    Release date: November 2004
    Deletion date: January 2011
    Super-Audio CD — Deleted
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