Hyperion Records

À sa guitare, FP79
composer
September 1935; composed as part of Poulenc's music for Édouard Bourdet's play La Reine Margot
author of text

Recordings
'Poulenc: The Complete Songs' (CDA68021/4)
Poulenc: The Complete Songs
MP3 £23.99FLAC £23.99ALAC £23.99Buy by post £30.00 CDA68021/4  4CDs for the price of 3  
'Poulenc: The Complete Songs, Vol. 1' (SIGCD247)
Poulenc: The Complete Songs, Vol. 1
MP3 £7.99FLAC £7.99ALAC £7.99 Studio Master: FLAC 24-bit 44.1 kHz £9.00ALAC 24-bit 44.1 kHz £9.00 SIGCD247  Download only   Studio Master FLAC & ALAC downloads available
'Poulenc: Voyage à Paris' (CDH55366)
Poulenc: Voyage à Paris
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55366  Helios (Hyperion's budget label)  
Details
Track 29 on CDA68021/4 CD4 [2'34] 4CDs for the price of 3
Track 27 on CDH55366 [2'39] Helios (Hyperion's budget label)
Track 15 on SIGCD247 [2'56] Download only

À sa guitare, FP79
EnglishFrançais
The famous singing actress Yvonne Printemps' first collaboration with Poulenc was in a play entitled Margot by Édouard Bourdet (1887–1945). Both Poulenc and Georges Auric provided music for this production which was about the remarkable Queen Marguerite de Navarre (1492–1549), sister of the first Valois king, François Ier. She was a key cultural figure in the French Renaissance and considered to be one of the first modern women. Each composer wrote a song for Printemps, and both set words of Ronsard. In addition Poulenc wrote seven short pieces of incidental music, inspired by the Livre de danseries of Claude Gervais (circa 1550), which were published as Suite française FP80, either for piano or small orchestra.

In the ten years since composing his Poèmes de Ronsard Poulenc has changed as a song composer, and no longer feels the need to prove his credentials as an important modernist. For the final scene of Bourdet’s play he is content to write a song of mournful ennui, a sixteenth-century pastiche certainly (the composer confessed that he had thought of the fifteenth-century Château of Plessis-les-tours when writing it), but with a memorable melody and full of personal feeling. (Eighteen years later Benjamin Britten was to write a similarly haunting evocation—the second lute song of the Earl of Essex from Gloriana.) Ronsard’s wonderful poem with this title is in thirteen strophes; sadly, but understandably, Poulenc selects only the first and third, the first verse appearing twice in an ABA structure, framed by a prelude and postlude suggesting the twanging of lute strings.

from notes by Graham Johnson © 2013

Track-specific metadata
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Details for CDH55366 track 27
Artists
ISRC
GB-AJY-86-14727
Duration
2'39
Recording date
16 February 1984
Recording venue
St George the Martyr, Queen Square, London, United Kingdom
Recording producer
Martin Compton
Recording engineer
Antony Howell
Hyperion usage
  1. Poulenc: Voyage à Paris (CDA66147)
    Disc 1 Track 27
    Release date: January 1989
    Deletion date: August 2008
    Superseded by CDH55366
  2. Poulenc: Voyage à Paris (CDH55366)
    Disc 1 Track 27
    Release date: June 2011
    Helios (Hyperion's budget label)
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