Recordings
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Poulenc: Voyage à Paris
CDH55366
Helios (Hyperion's budget label)
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Details
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No 1: Bonne journée
Bonne journée j'ai revu qui je n'oubile pas
No 2: Une ruine coquille vide
No 3: Le front comme un drapeau perdu
No 4: Une roulotte couverte en tuiles
No 5: À toutes brides
No 6: Une herbe pauvre
No 7: Je n'ai envie que de t'aimer
No 8: Figure de force brûlante et farouche
No 9: Nous avons fait la nuit
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From this time, the cycle Tel jour telle nuit is one of Poulenc’s greatest achievements. Undeterred by superficial difficulties, the composer goes to the heart of Éluard’s texts. The poet’s own experiences (journeys, encounters, friendships, dreams, and above all his love for his wife Nusch) have gone into the making of the poems. Poulenc’s musical interpretation helps to unlock a door: behind it Éluard, the seemingly formidable intellectual, is revealed for what he really was—a poet of the people who sang unstintingly of love, the beauties of nature and the brotherhood of man. The last mélodie in this cycle, Nous avons fait la nuit, is one of the greatest love songs in French music; the poem is but one man’s explication of a relationship, yet, illuminated by Poulenc’s music, it takes on a universal significance and shows a deep understanding of the nature of love itself, and the means of its constant renewal. It is no surprise that the song’s postlude, which is the summing up of the cycle, has a power that recalls the end of a less optimistic but similarly heartfelt cycle, Schumann’s Dichterliebe.
from notes by Graham Johnson © 1985