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Hyperion Records

Tel jour, telle nuit, FP86
composer
1936/7
author of text
Recordings
Cover of 'Poulenc: The Complete Songs' (CDA68021/4)
Poulenc: The Complete Songs
CDA68021/4  4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release  
Cover of 'Poulenc: Voyage à Paris' (CDH55366)
Details
No 1: Bonne journée  Bonne journée j'ai revu qui je n'oubile pas
Track 6 on CDA68021/4 CD2 [2'43] 4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release
Track 10 on CDH55366 [2'37] Helios (Hyperion's budget label)
No 2: Une ruine coquille vide
Track 7 on CDA68021/4 CD2 [2'10] 4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release
Track 11 on CDH55366 [2'06] Helios (Hyperion's budget label)
No 3: Le front comme un drapeau perdu
Track 8 on CDA68021/4 CD2 [1'04] 4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release
Track 12 on CDH55366 [1'00] Helios (Hyperion's budget label)
No 4: Une roulotte couverte en tuiles
Track 9 on CDA68021/4 CD2 [0'59] 4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release
Track 13 on CDH55366 [0'56] Helios (Hyperion's budget label)
No 5: À toutes brides  A toutes brides toi dont le fantôme
Track 10 on CDA68021/4 CD2 [0'42] 4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release
Track 14 on CDH55366 [0'35] Helios (Hyperion's budget label)
No 6: Une herbe pauvre
Track 11 on CDA68021/4 CD2 [1'38] 4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release
Track 15 on CDH55366 [1'30] Helios (Hyperion's budget label)
No 7: Je n'ai envie que de t'aimer
Track 12 on CDA68021/4 CD2 [0'51] 4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release
Track 16 on CDH55366 [0'45] Helios (Hyperion's budget label)
No 8: Figure de force brûlante et farouche
Track 13 on CDA68021/4 CD2 [1'31] 4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release
Track 17 on CDH55366 [1'20] Helios (Hyperion's budget label)
No 9: Nous avons fait la nuit  Nous avons fait la nuit je tiens ta main je veille
Track 14 on CDA68021/4 CD2 [3'28] 4CDs for the price of 3 — 4CDs To be issued soon September 2013 Release
Track 18 on CDH55366 [3'20] Helios (Hyperion's budget label)
Tel jour, telle nuit, FP86
EnglishFrançais
If the Apollinaire songs are of earth and water (the feel of the Paris pavement, the sound of the Seine), the Paul Éluard songs are made of fire and air. Indeed it must be admitted that the greatest Apollinaire settings were written only after Poulenc had passed through the refining fire of contact with Éluard’s poetry. 1936 was a pivotal year: one of Poulenc’s friends, the composer Pierre-Octave Ferroud, was killed in a macabre accident; Poulenc was reconverted to catholicism as a result of a mystical experience at the shrine of the Black Virgin of Rocamadour; his song duo with the baritone Pierre Bernac was firmly established; and Éluard became a cherished collaborator in his vocal music. Out of these experiences a more serious and dedicated creator emerged, and in Bernac he had found a serious and dedicated interpreter to give voice to this new idealistic lyricism.

From this time, the cycle Tel jour telle nuit is one of Poulenc’s greatest achievements. Undeterred by superficial difficulties, the composer goes to the heart of Éluard’s texts. The poet’s own experiences (journeys, encounters, friendships, dreams, and above all his love for his wife Nusch) have gone into the making of the poems. Poulenc’s musical interpretation helps to unlock a door: behind it Éluard, the seemingly formidable intellectual, is revealed for what he really was—a poet of the people who sang unstintingly of love, the beauties of nature and the brotherhood of man. The last mélodie in this cycle, Nous avons fait la nuit, is one of the greatest love songs in French music; the poem is but one man’s explication of a relationship, yet, illuminated by Poulenc’s music, it takes on a universal significance and shows a deep understanding of the nature of love itself, and the means of its constant renewal. It is no surprise that the song’s postlude, which is the summing up of the cycle, has a power that recalls the end of a less optimistic but similarly heartfelt cycle, Schumann’s Dichterliebe.

from notes by Graham Johnson © 1985

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Details for CDH55366 track 12
Le front comme un drapeau perdu
Artists
ISRC
GB-AJY-86-14712
Duration
1'00
Recording date
16 February 1984
Recording venue
St George the Martyr, Queen Square, London, United Kingdom
Recording producer
Martin Compton
Recording engineer
Antony Howell
Hyperion usage
  1. Poulenc: Voyage à Paris (CDA66147)
    Disc 1 Track 12
    Release date: January 1989
    Deletion date: August 2008
    Superseded by CDH55366
  2. Poulenc: Voyage à Paris (CDH55366)
    Disc 1 Track 12
    Release date: June 2011
    Helios (Hyperion's budget label)
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